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Today's Date is:

The Accused


Reviewed by: David Litton
Genre: Drama
Video: 1.85:1 widescreen
Audio: Dolby Digital 5.1 (English), 2.0 (English, French)
Language: English, French
Subtitle: English
Length: 119 min
Rating: R
Release Date: 04/16/2002
Studio: Paramount Pictures
Commentary: None
Documentaries: None
Featurettes: None
Filmography/Biography: None
Interviews: None
Trailers/TV Spots: Trailer
Alternate/Deleted Scenes: None
Music Video: None
Other: None
Cast and Crew: Jodie Foster, Kelly McGillis, Bernie Coulson, Leo Rossi, Carmen Argenziano, Ann Hearn
Screenplay by: Written by: Tom Topor
Produced by: Stanley R. Jaffe, Sherry Lansing, Jack Roe
Directed By: Jonathan Kaplan
Music: Brad Fiedel
The Review:

When everything comes to a close in "The Accused," it is not the fluid storytelling, nor the impacting performances from its two female leads, that have intrigued us without pause. I say this not in defamation of these two traits: this factual courtroom drama moves at a brisk, involving pace and features two incredible performances from Kelly McGillis and Jodie Foster, who portrays a woman wronged in a most terrible manner. ***

In the end, however, it is a brutal rape scene that manages to grab our attention, churn our stomachs, throttle our emotions, and leave us breathless as we watch such a horrible display of violence unequaled by much of what modern cinema has dished up over the years. ***

The story is that of Sarah Tobias, a middle-class hometown girl who is seen in the beginning running out of a bar, her clothes torn, screaming at passing cars until one of them picks her up. The victim of a gang rape, Sarah is instantly torn apart by emotional scars that make her bruises and cuts seem miniscule. Foster wastes no time in portraying the victim in Sarah as a haunted, empty soul, allowing us the opportunity to sympathize with her immensely. ***

But then our connection to her character becomes one of a question of morality. The county's district attorney, Kathryn Murphy (McGillis), takes on the case, and wastes no time in returning to the scene of the crime so that Sarah can point out her offenders. Once the three men responsible are in custody, Kathryn begins questioning those who know Sarah, who divulge information such as her excessive drinking, her use of marijuana, and even a comment made to a friend regarding one of the rapist's good looks before he became her worst nightmare. ***

Such revelations pose a very broad spectrum for the characters, as well as the audience. As we observe, listen, and gather the testimonies of Sarah and those privy to the rape, we also must gather our own theories and thoughts concerning her credibility as a witness. There are several questions posed: did she perhaps unknowingly instigate the rape? Was it even a rape at all, or a sex show put on by someone who was unable to consciously discern what was going on at the time? The fact that Sarah's attributes and misgivings are laid out on the table is a big plus, allowing us a chance to really think about the events at hand on a more involving level. ***

Foster excels in her role, managing to evoke a sense of sympathy as well as detachment from the audience. Just as she is able to portray Sarah after the initial attack as a victim, she is also able to realistically play out all of her character's strengths and weaknesses in a fashion that gives us a deeper understanding of who she is, as well as who she was. ***

McGillis, as the somewhat unfeeling attorney who gets a shot in the arm of redemption once she realizes that merely settling for a sloppy deal isn't the answer, has great conviction and skill in making her character more than just another cliche. Once she decides that getting the rapists off with five-year sentences is a slap in the face to her client, she decides to take on the men who were spectators to the crime, mainly those who cheered and goaded the attackers on. More characters come into play, and more is revealed about what happened, leading up to the aforementioned rape sequence that is brutal, unabashedly realistic, and completely enthralling in its relation of the horrors of such an act. ***

Such a scene manages to grab us by the throat and shake us into the reality of the film, giving us the feeling as well as the knowledge of what happened that night. "The Accused" was able to keep me involved well enough until this point, but once the flashback begins, there's no taking your eyes away. This scene, in addition to the true-to-life performers and solid script, make this film one of the most realistic and memorable films to be based on actual events. --

Image and Sound Not a bad mastering effort, but lacking in places. The image quality is clean and, for the most part, undistracting, though the overall absence of truly vivid colors may leave some wanting. The sound design is the biggest problem: the dialogue is difficult to hear in many places, and even becomes overpowered by the music at times. --
The Extras

Nothing but a trailer... does Paramount really think that a trailer merits such a high price for a DVD? --

Commentary No commentary.
Final Words:

For a late 80's film, "The Accused" still hasn't lost its spark. Foster's performance is still as potent as before, the story is still as intense and gripping, and the overall effect is much the same as it was: impacting. I just wish I could say the same about the DVD.


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May 5, 2002