| The
Review: |
Peasants chanting Queen's "We Will
Rock You?" A medieval royal ball gone disco? You may think
it's silly, and you'd be right: it's absolutely ridiculous.
But "A Knight's Tale" dares to walk the tightrope of placing
the old with the new, incorporating modern songs and phrases
into an era gone by, and it succeeds in doing so. The perfect
mix of grandeur, passion, and exciting action, director Brian
Helgeland tells a likeable tale that, for me, is a real triumph
of a film. ***
From the beginning, the movie puts
forth its own set of rules, as peasants sing "We Will Rock
You" during a jousting match; at this point, you either accept
the movie's machinations, or turn away in contempt. At the
center of the excitement is William Thatcher (Heath Ledger),
a squire whose master has just taken part in his last match.
Desperately in need of money for food, he and his partners
Roland and Wat (Mark Addy and Alan Tudyk) decide to finish
the match themselves, and William dons the armor and takes
the arena by storm, giving new meaning to the phrase "natural
born." ***
But that isn't enough for the ambitious
lad, whose life-long dream of becoming a knight stems from
his father's instillation of hope in him. After encountering
Geoffrey Chaucer (Paul Bettany) and striking a deal with him
to concoct a fictitious family history for William, they make
their way to several jousting matches, where William takes
a new identity, a new love interest in Lady Jocelyn (Shannyn
Sossamon), and a new rival in Count Adhemar (Rufus Sewell),
whose jealousy over William's fame and popularity stir his
devious mind. ***
A somewhat formulaic plot, you
might say, but when you're having so much fun in a film such
as this, does it really matter? There is such a high spirit
to the movie, an energy so exciting and full of joy that any
inhibitions you originally had will be swept aside once the
movie invites you on its trek. ***
Much of this enjoyment is due to
the cast, which is stellar in all fields. Ledger is the ideal
embodiment of a hero, and his character's mission becomes
one of hope and strength through his forthright acting. He
and newcomer Sossamon share a warm chemistry, one that is
as vibrant as a medieval tapestry. Addy, Tudyk, and Bettany
are riotous as William's cohorts, each of them possessing
a warm spirit that makes this supporting cast one of the year's
best. The rival Adhemar is played exquisitely by Sewell, who
even has that cunning look and characteristic about him. ***
Director Helgeland, who also wrote
the film, brings an upbeat feel to the movie, even in its
more emotional scenes. His portrayal of a medieval setting
is less articulate than something along the lines of, say,
"Excalibur," but it's nonetheless breathtaking, if not exquisite.
Helgeland also instills a high energy into the jousting matches,
giving us many different points of view, and charging each
scene with fast-paced editing and the roar of cheering audiences
in the arena. ***
The movie's true high point is
the comic relief, stemming from the mix of 14th century settings
with post-modern culture. The "We Will Rock You" sequence
is bursting with laughs and upbeat charisma, a successful
opener to the film. A medieval ball that begins with harmonic
melodies resonates into David Bowie's "Golden Years," and
the scene practically takes flight. Some may sneer at the
mixture, but it is purely nothing more than good-natured fun,
and I fully recommend it. ***
While scenarios such as this are
nothing new, they are rarely done so well, and that's what
makes "A Knight's Tale" such a special movie. It's got everything
you could ask for in a movie: genuine comedy, a believable
love story, likeable characters, and a plot that never stops
moving. It's brilliant combination of eras and culture is
nonetheless upbeat and inspired, and I enjoyed every minute
of it. One of the best films of the year.
|
| Image
and Sound |
Again,
however, there's not a great difference between the mastering
of the first edition, and this new edition. Both DVDs retain
an image quality that is pristine is all fields, preserving
the colors and fleshtones while at the same time paying great
attention to edges, sharpness, detail, and overall clarity.
The sound quality, however, has been weighed, has been measured,
and in comparison with the Dolby 5.1 track of the previous release,
has been found wanting. In playing back key scenes from both
discs, I found that I had to increase the volume with the Superbit
disc moreso than the regular version; the new edition seems
very quiescent and low. Deep bass and surrounds do have a more
distinct presence, and the score, sound effects, and dialogue
have been well-recorded, but one shouldn't have to turn their
volume knob to "Maximum" just to enjoy such features, especially
when they could have that and some additional supplements with
the previous release. |