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Disney suddenly recognized the marketing potential of direct-to-video sequels in the 90’s. The 1994 sequel to Aladdin entitled The Return of Jafar had none of the style that made Aladdin so memorable. With second rate songs, a second rate story clearly designed as a pilot for the TV series The Return of Jafar could have been produced by any studio and the generic quality of the film is one of its principle flaws. On a scale from A to F, I’d have to rate Jafar as a C-. The animation has little of the character one expects from Disney and has bottom of the barrel production values. The only redeeming qualities are the return of actors Jonathan Freeman, Gilbert Gottfried, Scott Weinger, Linda Larkin. Dan Castellaneta stands in for Robin Williams who got into a royal pissing match with Disney when they used his voice without permission for toys and marketing purposes. In The Return of Jafar the evil sorcerer returns to try and take over the kingdom and kill Aladdin. Even a guest appearance by Jason Alexander can’t save this from being strictly mediocre at best. The songs are second rate and can’t hold a candle to the brilliant material written by Alan Menken and Howard Ashman from the first film. ***

Aladdin and the King of Thieves improves on Jafar. With a larger budget, smoother animation, better production design and the return of Robin Williams as Genie, the third film almost approaches the majesty of the first. Aladdin goes in search of his father and, with the help of an enchanted septer found among the King’s treasures, he finds him only to discover that his father leads the 40 Thieves. With appearances by the late Jerry Orbach and the return of the principle cast from the first film, Aladdin and the King of Thieves rates a solid B. Although the songs aren’t quite up to Menken and Ashman standards are improved with a variety of songwriters contributing material. The vibrant colors and slick production design bring the third film closer to the original although it can’t quite match the first film for sheer invention. ---

Both films come with games that can be played by tykes. Careful What You Wish For and Disneypedia are the two extras included with Jafar. The former make keep tykes interested one or two times but will lose them with later viewings. The latter discusses different wishing traditions from around the world and is pretty decent although short and very sketchy in terms of details. The best featurettes are saved for Thieves. Loot in the Liar and Bag the Bad Guys are the two games included here. Again, like most Disney games designed for their DVD releases, they’ll keep kids interested a couple of times at best. Both of these are at least equal to if not better than the single game on Jafar. Behind the Microphone takes us on a visit with the people who did the voices for Thieves. It’s a solid featurette and once again better than that included on Jafar. There’s also a song selection with lyrics that pop up on the screen. That feature will come in handy when the kids want to sing along with the songs for both films. As I mentioned before, none of the tunes can hold a candle to the Menken/Ashman songs but the superior material in Thieves at least has a sense of melody (although Orbach’s In or Out song from Thieves should have been left out as its probably one of the worst of the bunch). ---