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Review
Archives
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Today's
Date is:
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Casualties
of War (1989)
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Reviewed
by: |
Christopher
J. Jarmick |
| Genre: |
Drama
|
| Video: |
Anamorphic
2.35:1 Widescreen |
| Audio: |
Dolby Digital
5.1, Dolby Digital 2.0 (English, French, Portuguese, Spanish |
| Language: |
English (5.1
and 2.0) French, Portuguese and Spanish (2.0) |
| Subtitle: |
English (Captions
), French, Chinese, Korean, Spanish, Portuguese, Spanish, Thai |
| Length: |
114 minutes
|
| Rating: |
R |
| Release
Date: |
12/21/01 |
| Studio: |
Columbia-TriStar |
| Commentary:
|
None. |
| Documentaries:
|
31 minute
The Making of Casualties of War] |
| Featurettes:
|
19 minute Ericksson's
War: A Conversation with Michael J. Fox |
| Filmography/Biography:
|
Abridged filmographies
of main cast and crew members are included. |
|
Interviews: |
See Featurette. |
| Trailers/TV
Spots: |
Widescreen theatrical
trailers for Casualties of War, Birdy and A Bridge Too Far are
included |
| Alternate/Deleted
Scenes: |
5 deleted scenes are
included. |
| Music
Video: |
None |
| Other:
|
None |
| Cast
and Crew: |
Michael J.
Fox, Sean Penn, Don Harvey, John C. Reilly, John Leguizamo,
Thuy Thu Le. Erik King, Jack Gwaltney, Ving Rhames, Dan Martin
|
| Screenplay
by: |
Written
by David Rabe based on Daniel Lang's Book |
| Produced
by: |
Art Linson |
| Directed
By: |
Brian De
Palma |
| Music: |
Ennio Morricone
|
| The
Review: |
Casualties
of War is Brian De Palma's most focused and straight ahead
film. There are no wild stylistic flourishes, there's no sequences
borrowed from Potemkin (like in his previously filmed The
Untouchables) and there's not a shot closely identified with
Hitchcock that De Palma borrows in the entire film. Casualties
of War is a moralistic drama based on a true story that appeared
in the New Yorker magazine in 1969 (which became a book by
Daniel Lang and was turned into a screenplay by play write
David Rabe). It's not a film that is meant to be pleasant
or enjoyable entertaining. It's serious minded stuff and to
be quite frank De Palma doesn't screw around. He makes us
stare into the headlights and dares us not to blink. The flaw
of the film is there's little ambiguity, no shades of gray.
Right from the start everything is drawn almost too clearly.
We know who the bad guy is, and we know who's the good guy.
Eventually we'll witness a brutal rape and there's no question
that such an act is very wrong indeed or that such things
occurred during the Vietnam War.
Michael J
Fox who was known as Alex Keaton on Facts of Life on the little
t.v. screen., as a High school basket player who turns into
a werewolf and that Marty McFly guy in Back to the Future
on the big screen, portrays Private Ericksson -- a soldier
who witnesses the sadistic raping of an innocent Vietnamese
woman by four members of his platoon (which include John C.
Reilly, John Leguizamo, Don Harvey and Sean Penn). Sean Penn
is the mean spirited Sergeant Meserve who leads the platoon
and has decided all's fair in WAR and he can bend the rules.
Private Ericksson is forced to take sides and it's a decision
that might cost him not just the friendship of his comrades,
but his life.
Penn is superb
in his portrayal of a man who's been 'in country' a little
longer than he should have been. The film needs a very strong
performance and Penn is more up to the task. It's a Memorable
performance. Fox is surprisingly good in his role as well
but he gets the impossible task of giving some speeches during
the film that make it impossible not to see him as a sit-com
actor who's stretching himself into an almost serious actor.
There's also a pretty ineffectual framing device that is used
to get us into and out of the story.
De Palma
tells the story without over-stylizing or pumping up the film
with unnecessary camera flourishes. He works subtly and resists
the opportunity to be exploitative, or over the top. His restraint
is quite frankly surprising and I think the combination of
the unpleasant subject matter of yet another film on the Vietnam
War and De Palma's sober approach made it flop at the box
office. The public didn't want to see Fox in serious roles
as was evident when the more serious movies he starred in
all flopped (this one, Bright Lights, Big City and Light of
the Day).
De Palma
doesn't flinch in showing us the ugliest side of war and our
ourselves and despite its flaws the movie is definitely worth
seeing at least once. Yes I'm saying it's an 'important' film
but it isn't all dolled up with lots of bells and whistles
or constantly reminding us of its importance. Mostly it doesn't
preach to us.. Rabes' screenplay unfortunately can't resist
giving the Ericcson character a couple of near soliloquoys
and Fox is a bit awkward delivering them. The film however
is very powerful and effective.. It's an atypical De Palma
film and one of his very best.
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| Image
and Sound |
Casualties Of War is presented
in 2.35:1 anamorphic widescreen. Columbia has found an excellent
print and their digital transfer insures the colors are solid
and the black levels strong. You might spot a little edge
enhancement however.
The 5.1 audio remix (there's also
a Dolby Digital 2.0 surround in several languages available)
doesn't take full advantage of the medium by using the various
channels for the bursts of gun-fire and explosions that are
in the film. Everything is clear and free from distortion
but there's little re-engineering evident here.
|
| The
Extras |
There's a
few excellent extra features on this DVD which include:
Ericksson's
War: A Conversation with Michael J. Fox - a 19 minute recollection
by Fox of how he felt about the script and the making of the
film on location in Asia. Fox and Penn for instance purposefully
avoided socializing with each other during the filming of
the movie to more easily stay in character when the cameras
were rolling. There are quite a few behind the scenes stills
used as well.
The Making
Of Casualties Of War is another informative documentary by
Laurent Bouzereau. This 31 minute mini- documentary features
interviews with producer Art Linson, editor Bill Pankow, director
Brian De Palma and others and combines factoids and recollections
about the making of the film, many production stills and behind
the scenes photos and some personal stories. The story of
how De Palma dodged the draft is a fascinating one indeed.
You'll also
find five deleted scenes on the DVD. These scenes remain in
very primitive and rough shape.. one of them is even in black
and white. The scenes while of some interest deserved to be
left on the cutting room floor.
Some theatrical
trailers, abridged filmographies on the main members of the
cast and crew and a few frames worth of production notes are
tossed onto the disc as well.
|
| Commentary |
None |
| Final
Words: |
Casualties of War is a powerful
and disturbing film. It shows De Palma delivering a focused
Film straight on without using a bag of visual tricks to pump
up the film. Sean Penn delivers another Wonderful performance
and Michael J. Fox is pretty good here. The DVD offers some
choice extras and delivers the film in good shape. I'm not
sure how many times one might want to view the film but its
certainly a film very much worth seeing.
Christopher Jarmick, is the
author of The Glass Cocoon with Serena F. Holder a critically
acclaimed, steamy suspense thriller. For more information
visit the web site at: http://www.radiofreegallery.com/jarmicknholder.htm
* * * * * *
Original portions of this review
Copyright© Christopher J. Jarmick 2002. The above work is
protected by international copyright law.
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