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Burl Ives plays Ephraim Cabot a greedy miser of a man who has managed to estrange his Peter (Pernell Roberts), Simeon (Frank Overton) but most especially Eben (Anthony Perkins) who wears bitterness like an oversized suit. When Ephraim brings home a new, young step-mother for the boys and wife, Anna (Sophia Loren) causes rivalries to begin anew between the brothers, their father but most especially Anna. It seems Ephraim has made the decision to leave the farm Anna when he dies. Eben confronts Anna but their confrontation erupts into passion as the two sleep together. ***

Eugene O’Neill occupies the same place in American Literature as a playwright as, say, Sophocles did for the Greeks. While Sophocles told of great and heroic characters who fall from grace with the gods, O’Neill focuses on anyone from the average American to the celebrity (I suppose in our screwed up world that’s what passes for a “heroic” figure now). O’Neill’s best plays (“The Iceman Cometh” and “Long Day’s Journey into Night”) tend to focus on the everyman and his or her struggles with temptation and how they seek their redemption. While “Desire Under the Elms” isn’t O’Neill’s best work, it still resonates with a number of difficult and forbidden themes. It’s O’Neill’s version of “Oedipus” but with characters that for all their heroic qualities, are flawed and simple human beings. ***

That said this is a pretty bad film adaptation of O’Neill’s play. The fault lies in Irwin Shaw’s dumbed down script. While Mann’s direction dispenses with staging the film as a “play” some of the sequences still have a static quality to them. The performances range from decent to so over-the-top that they add a campy quality to the film and bring out the soap opera elements of O’Neill’s plot. This is definitely an O’Neill play that deserves a reinterpretation despite the fact that it’s a fairly minor work in his canon. ---

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