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Review
Archives
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Today's
Date is:
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Don't
Say A Word
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Reviewed
by: |
David
Litton |
| Genre: |
Drama |
| Video: |
2.35:1
widescreen |
| Audio: |
Dolby Digital
5.1, DTS 5.1 |
| Language: |
English,
French |
| Subtitle: |
English |
| Length: |
1 hr, 53
min |
| Rating: |
R |
| Release
Date: |
NA |
| Studio: |
20th
Century Fox |
| Commentary:
|
Feature commentary
with director Gary Fleder, scene-specific commentaries with
cast members Michael Douglas, Sean Bean, Famke Janssen, Brittany
Murphy, and Oliver Platt |
| Documentaries:
|
See below
|
| Featurettes:
|
Making-of featurette |
| Filmography/Biography:
|
Yes |
|
Interviews: |
Interspersed
throughout other features |
| Trailers/TV
Spots: |
"Wallstreet" trailer
|
| Alternate/Deleted
Scenes: |
3 deleted scenes |
| Music
Video: |
No |
| Other:
|
Cinema Master
Class, a section breaking down the movie into pre-production,
production, and post production through behind-the-scenes material
and footage |
| Cast
and Crew: |
Michael Douglas,
Sean Bean, Brittany Murphy, Famke Janssen |
| Screenplay
by: |
Written by:
Anthony Peckham, Patrick Smith Kelly |
| Produced
by: |
Arnon Milchan, Arnold
and Anne Kopelson |
| Directed
By: |
Gary Fleder
|
| Music: |
Mark Isham
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| The
Review: |
Originality doesn't exactly seem
to the director Gary Fleder's strong suit in "Don't Say A
Word," which puts actor Michael Douglas in a comfort zone
as a father whose family is put in jeopardy by someone out
for something he holds the key to. As far as thrillers go
these days, the film takes us right where we know it's going
to go, but it's well-made, with terrific performances from
Douglas and the rest of the cast, and a director whose competency
in the genre is in full vigor. ****
The story is adapted from the novel
by Andrew Klavan, and begins by introducing us to a heist
situation that goes sour. Moving ahead ten years, we meet
Dr. Nathan Conrad (Michael Douglas), an adolescent psychologist
known for his success with troubled teens. On the morning
of Thanksgiving Day, he discovers his daughter has been kidnapped,
held by the men seen in the opening scene who are demanding
a piece of information tucked away in the mind of Nathan's
newest patient, an 18-year-old catatonic. ****
As far as these situations go,
Nathan finds himself in a tight spot. The kidnappers are able
to keep watch over his apartment, leaving him little room
for thwarting their demands. His wife, Aggie (Famke Janssen),
is bedridden due to a skiing accident, virtually leaving her
in harm's way when he ventures back to the hospital to question
the easily-unsettled Elisabeth (Brittany Murphy). ****
Like most thrillers, there are
some technical issues concerning minor plot points, many of
which are easily overlooked. There's the question of how the
kidnappers were able to set up surveillance on the Conrads
with such ease, or how, despite the amount of security surrounding
Elisabeth, they were able to plant a bug in her hospital room.
These assumptions to unanswered questions are hardly ignorable,
but do not exactly hinder the overall success of the film.
****
Fleder is able to keep things moving
very steadily, providing a window of time that keeps us in
the moment as Nathan races against the clock to progressively
unlock the haunting memories in Elisabeth's subconscious.
Not only that, but we are also given some well-constructed
scenes between kidnapper and kidnappee, as well as some plot
provided to the injured Aggie. The subplot involving a female
cop played by Jennifer Esposito is a basic throwaway twist,
but it fits in with the material nicely. ****
Once again, Douglas is at the top
of his game, recalling his family instinct from "Fatal Attraction"
and his drive for answers from "Basic Instinct," and fitting
them into his character's father status. He's stern and emotional,
two things we love him for, and manages some effective moments
with Murphy, who is well on her way to stardom. Janssen is,
as always, a joy to watch onscreen, and Sean Bean, as the
standard villain, is more or less conniving without being
truly menacing. ****
Once things get moving, there are
some plot twists and developments that contain the element
of surprise, while others are foreseen minutes before they
occur. But "Don't Say A Word" is a thriller that plays by
the rules, and on that basis, it's entertaining without concerning
itself with fresh tactics. ****
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| Image
and Sound |
You
can't go wrong with "Don't Say a Word" in terms of quality.
The images in the anamorphic widescreen image are full of dark
hues and saturated colors, all of which are crisp and never
bleed. The picture is very sharp, without pixelization or apparent
distractions, making for a pleasant viewing experience. The
listening experience is equally pleasing, with both DTS and
Dolby Digital 5.1 tracks that contain deep bass reserved for
music and gunshots, centered dialogue, and a wrap-around effect
that engages in the more intense sequences. In short, it's a
well-mastered DVD that's sure to please. - |
| The
Extras |
It's unusual for a studio to go
all out for a DVD release of a movie that didn't score big
bucks at the box office, but "Don't Say A Word" appears to
be the exception. Why this wasn't dubbed a "special edition"
I don't know; it contains more than the normal releases that
Twentieth Century Fox dubs with such a title, and is satisfactory
in that it stays related to the movie itself. ****
A section entitled "Cinema Master
Class" features two subsections, one devoted to pre-production
material that includes an outstanding performance from Brittany
Murphy in a screen test, storyboard-to-screen comparisons
showcasing the ways in which scenes are preconceived, and
an interview with producers Arnold and Anne Kopelson, who
show a great deal of devotion to the project. The section
on production goes into such things as set designs and interviews
about the choices made in regards to texture and style, all
of which is guided by interviews with Fleder. The scene in
which Aggie escapes in broken down into angles, and then presented
in its completed sequence, followed by a tour of the sets
with production designer Nelson Coates. And then we have post-production,
which features conversations with Fleder about the scoring
of the movie, and previsualizing certain scenes. ****
Following this well-constructed
section are three deleted scenes, and a making-of featurette
that is jam-packed with cast and crew interviews that keep
the interest at a fulfilling level. The trailer for Michael
Douglas's Oscar-winning role in "Wall Street" is out of place,
but that doesn't stop the DVD for "Don't Say A Word" from
providing the viewer with an in-depth look at filmmaking.
**** --
|
| Commentary |
Take,
for instance, the various commentaries on the film, one of which
is a feature-length commentary with director Gary Fleder. In
it, he discusses things from working with the cast to the various
technical aspects of bringing the story to the screen. Aside
from his commentary are five scene-specific commentaries, in
which cast members Michael Douglas, Sean Bean, Famke Janssen,
Brittany Murphy, and Oliver Platt discuss their work in certain
scenes in the film. Not only are these interesting, but they
provide a closer look at things like the acting, the technical
setup, and various other elements needed to make the film work.
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| Final
Words: |
As
a movie, "Don't Say a Word" plays by the rules; not always
a successful road, but this thriller proves itself as a satisfying
experience despite its predictability. The DVD may as well
be a special edition, what with everything that's been included,
and provides some nice background info on the film.
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