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was founded by John Gabbard in 2000. It's purpose has been and
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“Dracula:
The 75th Anniversary Edition”
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Reviewer:
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Wayne
A. Klein
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Studio: |
Universal Home
Video |
| Genre: |
Horror |
Release:
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10/3/06 |
| Special
Features: |
Feature Commentary with Film
Historian David J. Shal ; Feature Commentary with Steve Haberman,
Screenwriter of "Dracula: Dead and Loving It" Score by Philip
Glass Performed by The Kronos Quartet, Lugosi: The Dark Prince,
The Road to Dracula , Monster Tracks, Theatrical Trailers,
Dracula (1931) Spanish Version, Introduction to the Spanish
Version of Dracula by Lupita Tovar Kohner, Universal,Horror,
Poster Montage |
| Review:
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Universal sinks its teeth into the wallet of vintage
horror fans yet again with the third reissue of “Dracula”
on DVD. Todd Browning’s film was stilted lacking the visual
imagination of his silent films after the suitably atmospheric
opening. It was Bela Lugosi’s unusual and mesmerizing performance
as Count Dracula that really captured audiences in the first
official film version of Stoker’s novel. Based on John L.
Balderston and Hamilton Deane’s stage adaptation of Stoker’s
novel the film like many of the early t alkies tends to
be a bit too static without the fluid camera movement of
later early talkies. Lugosi made the role his own so much
so that he was dogged by it for the rest of his life but
like his rival Boris Karloff it did guarantee a certain
amount of employment throughout his career. Lugosi reportedly
hated Karloff because his rival managed to expand into other
roles and became a much bigger film star than he did during
his career. Nevertheless the two ended up appearing in many
films together. Karloff to his credit never hated Lugosi
but believed that his career was limited by the fact that
he initially learned English phonetically for the role and
that Lugosi’s pretensions as an actor prevented him from
achieving the fame that his talent so deserved. ---
Image & Sound:
This is the third go round for “Dracula” on DVD and
Universal has wisely digitally remastered the image digitally
improving the registration of the film resulting in steadier
images. Considering that the original nitrate negative dissipated
into dust long ago the film looks extremely good. An interpositive
dupe of the original negative was probably the source here.
Nevertheless the film did suffer from overprinting of the
negative resulting in the original negative being in thread
bear shape prior to the dupe used for this edition being
made. The audio as can be expected of an early talkie is
flat but not completely lifeless. There is some mild hiss
but it’s just a reminder that this is an early talkie. The
soundtrack doesn’t sound as dreadful as the earlier cleaned
up edition of the film where audio would go to low levels
of hiss along with the dialogue to complete and utter silence.
A pity that the Spanish version of "Dracula" hasn't been
given as complete a digital clean up as the "classic" version
of the film. ---
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| Special
Features: |
On the first disc we get a very good commentary from
film historian and documentary film director David J. Shal
and, curiously, one from screenwriter Steven Haberman who
wrote the parody “Dracula: Dead and Loving It”. Philip Glass’
recent film score performed by The Kronos Quartet is included
as well. Glass’ score adds a classy and eerie atmosphere
to the film. “The Road to Dracula” is a featurette that
was ported over from the previous release. “Monster Tracks”
provides trivia about the making of the film. “Lugosi: The
Dark Prince” is a very good featurette on the actor that
came to embody the role for a generation of filmgoers. ***
We also get the superior Spanish language version of
“Dracula”. Visually superior to Browning’s version and nearly
30 minutes longer the film was made on the same sets as
the English language version on a swing shift schedule.
Although it lacks Lugosi’s powerful performance as Dracula
the Spanish version is in just about every other way superior
to Browning’s film. We also get on the second disc an introduction
by actress Lupita Tovar Kohner who appeared in the film,
the feature length documentary “Universal Horror”, a poster
montage and the 1940’s re-issue theatrical trailer for the
film. ---
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Final Words:
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Although we do get a couple of
new features here this is essentially the same release as
the previous versions. Fans that want only the Browning film
along with the terrific Spanish language version will probably
snatch this up. Comparing the two films it is fascinating
to see the differences in these two films directed by two
very different film directors. |
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