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If you are
not a fan of David Lynch based on films like Eraserhead, or
Lost Highway that's understandable. Lynch can certainly over-indulge
his experimental film tendencies to the degree he loses connections
with a large audience. Blue Velvet and Twin Peaks and the
recent Mulholland Drive may have also been too dark, creepy,
nightmarish and odd to catch on with a lot of you as well.
Elephant
Man however is a film you should not miss or be put off by.
Elephant
Man begins with a strange, dark dream-like sequence but then
it becomes an extremely accessible and almost 'normal' film.
It's shot beautifully by cinematographer and sometime (Hammer
horror film)director Freddie Francis in beautiful black and
white. Visually the film is a combination of Hammer and Universal
horror films and not nearly as experimental as Lynch can sometimes
be. The images are beautifully presented and preserved on
this DVD.
The story
of the Elephant Man is based on a true one, and the film makes
it an unforgettable one. It's sad, and tragic but also full
of moments of compassion and beauty. The film also gives us
a remarkable performance from John Hurt who delivers an incredible
depth of emotions despite all of the make up he is wearing.
The rest of the mostly British thespians seem to have all
agreed to award the film with some of their best moments on
screen. Anthony Hopkins, John Geilguld, Freddie Jones and
Anne Bancroft are all quite good in the film. Even some of
the smallest supporting parts are performed with perfection.
The Elephant
Man is the story of 19th-century Englishman John Merrick (John
Hurt) who was afflicted with a disease that deforms the head
and body with tumors, odd growths and other abnormalities.
Merrick is the subject of ridicule at a travelling freak show
and he is beaten and treated cruelly by Mr. Bytes (Freddie
Jones). He is discovered however by Dr. Frederick Treves (Anthony
Hopkins) a highly regarded surgeon who takes Merrick to a
hospital where he is shown warmth and compassion for the first
time in his life. Surprisingly, Merrick is not a bitter cynical
man despite his horrible experiences. Eventually however Treves
wonders if he is only a slightly lesser evil that Mr. Bytes
was in the exploitation and treatment of Merrick. The moral
and ethical questions are fascinating to consider and the
film concentrates on the issues of human compassion.
NOTE: Producer
Mel Brooks was not able to secure the rights to the play so
he had the film written based on the memoirs of Frederick
Treves and a later account of Merrick's life by Ashley Montagu.
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