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Review
Archives
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Today's
Date is:
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Fatal
Attraction - Special Collector's Edition
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Reviewed
by: |
David
Litton |
| Genre: |
Suspense
|
| Video: |
1.85:1
widescreen |
| Audio: |
Dolby Digital
5.1 (English), 2.0 (English, French) |
| Language: |
English,
French |
| Subtitle: |
English |
| Length: |
119 minutes
|
| Rating: |
R |
| Release
Date: |
04/16/2002
|
| Studio: |
Paramount
Pictures |
| Commentary:
|
Feature commentary
with director Adrian Lyne |
| Documentaries:
|
See "Featurettes
|
| Featurettes:
|
Forever Fatal: Remembering
"Fatal Attraction" (new cast and crew interviews); Social Attraction:
A look at the cultural phenomenon of "Fatal Attraction"; Visual
Attraction: behind-the-scenes production featurette |
| Filmography/Biography:
|
None |
|
Interviews: |
Interspersed
throughout special features |
| Trailers/TV
Spots: |
Theatrical trailer |
| Alternate/Deleted
Scenes: |
Alternate Ending |
| Music
Video: |
None |
| Other:
|
Rehearsal
footage |
| Cast
and Crew: |
Michael Douglas,
Glenn Close, Anne Archer, Ellen Hamilton Latzen |
| Screenplay
by: |
Written by:
James Dearden |
| Produced
by: |
Stanley R. Jaffe, Sherry
Lansing |
| Directed
By: |
Adrian Lyne
|
| Music: |
Maurice Jarre
|
| The
Review: |
"Fatal Attraction"
isn't so much an erotic thriller as it is a stalker suspenser.
Sure, the movie begins with the standard lurid sex scenes
involving two respected actors pawing at each other like there's
no tomorrow. But rather than succumb to such torrid displays
of goofy, laughably cheesy eroticism, the material actually
becomes interesting in its second half, building a solid sense
of menace and intensity around the mind games of its psychotic
centerfold. ****
Michael Douglas
stars as Dan Gallagher, a lawyer whose firm's clients include
a well-known publishing company in New York City. His wife,
Beth (Anne Archer), has hopes of moving out of their city
apartment and buying a house in Bedford, where she and their
young daughter travel for the weekend. And as they say, when
the cat's away, the mice will play, which is just what Dan
does when he crosses paths with Alex Forrest (Glenn Close),
an editor from the publishing company whom he spends the weekend
with. ****
So far, so
mediocre. The various conversations between characters meant
to advance the plot are silly and ongoing, while the inevitable
images of lustful satisfaction between Douglas and Close provide
some unintentional laughs that seem to work in the film's
favor. Once you see these two credible performers manhandling
one another, you have a choice: you're either in or you're
out. ****
The film picks
up considerable momentum once the reality of the situation
sets in. Dan realizes that he can't continue seeing Alex,
who becomes embittered when he avoids her phone calls and
dismisses her from his office after an invitation to the opera.
As he tries to juggle his secret and keep up the pretence
of happiness with his family, Alex acts as a thorn in his
side that keeps inching deeper and deeper, until he acknowledges
the fact that she is a real threat to his family's safety.
****
This turn
of events isn't as unexpected as it would hope to be; from
the various expressions of underlying menace that grace Close's
face, we can already gather that she's cooking up more than
just spaghetti for dinner. But, as we wait in breathless anticipation
of Alex's next move, the shocks multiply, the suspense grows,
and everything we initially thought about the film's beginning
act is but a memory as we follow the plot into familiar yet
overall satisfying grounds. ****
Much of this
rests on the shoulders of Close, who carries her character
so well that any inhibitions one may have about the extent
to which her character will go are left behind. Alex's coolly-calculated,
ultimately psychotic plan of attack gives way to moments of
sheer lunacy that Close masters with little more than a delightfully
menacing smirk. When Dan finally comes clean and gets the
police involved, we know just what she's going to do, and
how she's going to do it, but under such a brooding performance,
it all seems fresh. ****
It's also
quite nice to see Michael Douglas squirm as the victim of
the movie's role-reversal, where this time, the woman makes
all the rules. His performance here is commendable, and he
does show a sincere amount of fear and worry over the revelation
of his dark secret, and the safety of his wife and child.
His scenes with Close carry their weight in sweaty-palms tension,
as well as some sweet lessons about the consequences that
he must face as a result of his affair. ****
If you have
the stomach to stick with "Fatal Attraction," you may find
yourself enjoying it for its acting zeal and wonderfully-executed
second half. It's trash, to be sure, but it's stylish, likeable
trash, made so by a predictable plot tailored with a low-lying
charge of intensity that grips the viewer by the hair until
the blazing, bloody end.
|
| Image
and Sound |
"Fatal
Attraction" has never looked better, and after years of repeated
viewings on a worn-out VHS copy, fans are sure to warm to the
enhanced picture and sound quality. The images, while not exhibiting
the fidelity of a recent film on DVD, do have a clarity that
is defined by sharp, clear edges, correct colors and hues. The
sound is a bit wanting in terms of definition; the dialogue
is, at times, difficult to hear, and is overshadowed by the
background noises, but overall, it's a worthy effort. |
| The
Extras |
Well, it has finally arrived: the
long-awaited DVD edition of Adrian Lyne's now-classic "Fatal
Attraction," given a terrific special edition treatment that
outshines most other DVDs that take two discs to relate the
movie and its supplements. The main reason all of this works
so well is because the material has such a connection to the
movie itself; whereas some movies throw in as many features
as they can in hopes of raising interest, this small collection
feels slightly more personal. ****
The best and most entertaining of
the special features is the newly-created documentary "Forever
Fatal: Remembering Fatal Attraction." In it, producers Stanley
Jaffe and Sherry Lansing, cast members Michael Douglas, Anne
Archer and Glenn Close, and director Adrian Lyne, reunite
to look back on the movie with fond memories. The origins
of the film's script are revealed (a short film that ended
with Close's character's first phone call to the wife), and
from there, everything from the acting, the collaboration
of the cast and crew, and the effects of the film on worldwide
audiences, is discussed in detail, with everyone talking about
specific scenes and their impact, and how it has affected
their career (Close even made the cover of a national tabloid
as "Most Hated Woman in America!"). ****
Following this documentary is "Social
Attraction," which expands on the effects of the film on audiences
and different social circles and groups. The film is said
to have had a negative effect on feminists, who despised the
movie for portraying Close's character as a psychotic, while
various members of the crew relate the movie to different
cultural goings-on in the late 80's. Following this is a featurette
on the filmmaking, entitled "Visual Attraction," in which
various interviews with the film's make-up artist, costume
designer, and cinematographer, all go behind the making of
the movie in terms of its visual appearance. ****
The second best feature, and the
most intriguing, is the collection of rehearsal footage shot
before considerations for cast members. It is especially delicious
to watch Close inhabit a role that no one ever thought she
could embody; her performance in the early sketches is just
as potent and effectively chilling as those that made it into
the final cut of the film. Archer also appears during rehearsal,
and apparently made a lasting impression. ****
The alternate ending works with
the movie in an entirely different manner than the latter
version; the reshoot was made in order to keep the suspense
at a thrilling high. Here, Douglas's character receives a
shock when the police arrive to arrest him for the murder
of Alex Forest, who is seen killing herself with the knife
that holds his fingerprints after his attack on her in her
apartment. I liked the way this ending sort of left things
to suggestion; whereas the later ending is a shock machine,
this one is thoughtful in a weird way, and just as engaging.
**** --
|
| Commentary |
Adrian
Lyne's commentary, depending on when you watch the features,
may be repetitive in terms of his going over material already
discussed in the included featurettes, but it's nonetheless
inviting to hear him talk about his celebrated film in detail.
For the most part, the commentary is scene-specific, in which
he talks about what's going on in each scene, pausing at times
to go off on a tangent about how such a scene as the first lovemaking
scene was injected with a bit of humor to enlighten the audience.
He also discusses the film's alternate ending, which was reshot
for purposes relating to the audience's reaction to the original
concept. -- |
| Final
Words: |
Simply
put, anyone who loves "Fatal Attraction" will love the DVD.
Enough said. There's a lot of love and devotion that went
into its making, and it shows in every interview and reminiscence.
One of the year's best DVDs.
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