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Review
Archives
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Today's
Date is:
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Final
Fantasy: The Spirits Within - Special Edition
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Reviewed
by: |
David
Litton |
| Genre: |
Science
Fiction |
| Video: |
1.85:1
widescreen |
| Audio: |
Dolby Digital
5.1, 2.0 |
| Language: |
English,
French |
| Subtitle: |
English,
French |
| Length: |
1 hr, 46
min |
| Rating: |
PG-13 |
| Release
Date: |
10/23/01
|
| Studio: |
Columbia
Tristar |
| Commentary:
|
Commentary
with co-director Moto Sakakkibara, sequence supervisor Hiroyuki
Hayashida, lead artist Tatsuro Maruyama, and phantom supervisor
Takoo Noguchi; commentary with animation director Andy Jones,
editor Chris C. Capp, and staging director Tani Kunitake; isolated
score with commentary by composer Elliot Goldenthal |
| Documentaries:
|
Interactive
documentary containing Final Fantasy Thriller music video, Mini
Movie: Aki's Dream, 2 Face Wraps, Character Morphs, Matte Art
Explorations, and Compositing Builds |
| Featurettes:
|
Yes |
| Filmography/Biography:
|
Yes |
|
Interviews: |
Yes |
| Trailers/TV
Spots: |
Yes |
| Alternate/Deleted
Scenes: |
Original opening sequence,
outtakes |
| Music
Video: |
Yes |
| Other:
|
Storyboard/playblast
selects with optional commentary and subtitled factoids, multiple
workshops including 7 in-depth character files, 3 vehicle scale
comparisons, trailer explorations, sets and props, Final Fantasy
Shuffler: allows you to re-edit a scene in the movie and play
it back in edited form, DVD-ROM: complete screenplay, virtual
tour of Square Pictures, screensaver and weblinks |
| Cast
and Crew: |
Ming-Na,
Alec Baldwin, Ving Rhames, Steve Buscemi, Peri Gilpin, Donald
Sutherland, James Woods Written by: Al Reinert, Jeff Vintar |
| Screenplay
by: |
Written by:
Al Reinert, Jeff Vintar |
| Produced
by: |
NA |
| Directed
By: |
Hironobu
Sakaguchi, Motonori Sakakibara |
| Music: |
Elliot Goldenthal |
| The
Review: |
In trying to think of how to put
in words my thoughts on "Final Fantasy: The Spirits Within,"
I'm slightly at a loss. After one hour and forty six minutes
of watching a continuous special effect, I've come to the
conclusion that the film will go down in history as a golden
nugget of the modern era, and a symbol of the ongoing creation
of bigger and better (not to mention believable) visual effects.
And while the computer animation
is eye-popping and awe-inspiring, the story behind it is passable
enough to back it up, including some good character development
and interaction, and a futuristic vision of Earth that has
more ups than downs. This isn't sci-fi in the great tradition
of the classics in the genre, but it provides a reason for
the special effects, keeping them from seeming arbitrary and
routine.
The movie takes us to the year 2065,
and Earth is desolate and barren, and overrun by years of
war which pits the remains of the human race against strange,
ghost-like creatures referred to as "phantoms." Among these
is Aki Ross (voiced by Ming-Na), a young female scientist
in search of remaining life forms among barren sections of
the planet. After an incident in the abandoned section of
New York City, she meets up with former flame Captain Edwards
(Alec Baldwin), who is assigned to guard her. But his assignment
comes from a less-than-honorable general (James Woods), who
wishes to incarcerate Aki when it is revealed that she is
infected with a contained strand of the phantom phenomena,
which seems to be breaking free of its confines within her.
His true intention is to have a
new military weapon approved for use against the menace, hoping
to disprove the theory held by Aki and her mentor, Dr. Sid
(Donald Sutherland), that retrieving spirits of nature will
create a force strong enough to wipe out the powerful juggernaut.
This is where the story meets most
of its ups and downs. When the story isn't trying to create
a sense of awe and wonder through theological beliefs pertaining
to the battle of good versus evil, it works well. The background
history behind the phantoms will seem a bit contrived, even
silly. Other plot lines, such as the sense of heroism instilled
in the characters, and the battle between the scientists and
the government officials, work much better.
The characters are also some of
the better-developed characters of the year, and they're all
digital, for crying out loud. The movie devotes much time
to developing each one individually, from a scene involving
Aki and Edwards being trapped in an overhead observatory,
to Aki's conversations with Dr. Sid. The interaction between
the characters provides some laughs as well as some believable
moments of heroic actions. Each voice talent gets into the
mindset of their character, and makes their emotions appear
as real as the CGI actors themselves.
The movie's most memorable aspect,
without a doubt, is the dazzling use of computer animation,
which stands as a striking achievement in the history of movie-making.
Composed entirely of CGI, the movie itself is one big special
effect, one that is easily discernable from reality, but is
nonetheless impressive in its audaciousness and its grand
sense of scope and vision. The actors, I'm told, were created
entirely from scratch, without the use of human digitization.
Such facts as this create a heightened sense of appreciation
for the effort and work that goes into a project such as this.
"Final Fantasy: The Spirits Within"
becomes more than just a futuristic look at Earth: it also
becomes a futuristic look at filmmaking. The story will be
a bore to some looking for readily-believable theories and
dialogue, and may even disappoint followers of the sci-fi
genre, but it's not without its intentions, and it meets those
intentions by bringing us filmmaking as we've never seen it
before. We may be years away from seeing real actors completely
replaced by digital ones, but after this film, the possibility
has become frightening real. --
|
| Image
and Sound |
A
superb picture and sound DVD, one worth owning to show off a
fine sound system. The sound is full of deep, resonating bass,
almost system threatening, while the entire sountrack, from
the score to the many sound effects of phantoms, humans, and
machinery, is all wonderfully recorded and placed in various
locations of the soundfield. There is also a highly directionalized
trait to the soundtrack as well. The image quality does the
movie a great justice, bringing out the best of the computer
animation and all its many meticulous undertakings. -- |
| The
Extras |
In one of the best DVD packages
for the year 2001, the viewer will become immersed in a wave
of special features that reveal the secrets behind the making
of "Final Fantasy: The Spirits Within." This handsome, two-disc
set offers up so much information that one will need to take
several hours to devote to what it has to tell.
This DVD offers the viewer a very
interesting approach to watching the movie, by playing the
film in its entire, yet branching certain scenes off by showing
them in storyboards and in rough animation process, with an
optional commentary track in which the filmmakers discuss
the various techniques and shot processes. Subtitled factoids
should prove to be quite intriguing as well. Disc one closes
out with a gallery of theatrical trailers for various movies,
including "FF."
The interactive documentary located
on disc two is a stunning piece of introspective behind-the-scenes
footage. As the documentary moves to a different area of the
movie's production, the viewer is given the chance to branch
off from the documentary and arrive at a small featurette
dealing with that particular area of production. The featurette
finishes by taking the viewer back to where the documentary
left off; the result is really quite revealing, informative,
and pretty damn cool, too.
The workshops are a variety of
technical information about the movie, from character profiles
revealing the backgrounds of each character, vehicle comparisons
to real-life automobiles and machines, and trailer explorations
and sets and props. There is a well-crafted segment on the
matte paintings used for the movie's various other-worldly
futuristic settings, and to see the creative process in motion
is truly amazing. And what movie would be a movie without
some good ol' fashioned outtakes, even if it happens to be
a completely digital movie, without actors?
Compositing builds reveals the
processes involved in the animation process, from the very
hindmost layer to the images that are front and center in
a single shot. It serves to show the amount of work that goes
into the making of such a tremendous film. The original opening
sequence holds less tension or connection to the rest of the
film, but is nonetheless creative in its portrayal of brainstorming
for a film (on a side note, films buffs may recognize the
music playing in the opening sequence from a very popular
ocean liner movie). Aki's dream sequence, shown in sections
in various parts of the movie, is shown here in full form
from beginning to end, and is equally impressive in its entirety.
The star of the show is the Final
Fantasy Shuffle, which allows you to re-edit the scene from
various cuts in the conference room scene. It gives you the
chance to see what the filmmakers must go through in order
to get their scenes just right, and it may even provide some
laughs if you put them in the right places.
This brilliant DVD holds more than
enough superb information to keep you hooked for hours, and
those seeking good information on this film will not be disappointed.
Just as the movie itself has begun a new generation of movie-making,
this DVD may be the start of better things to come. --
|
| Commentary |
The
commentaries alone, located on disc one, are exhausting enough,
totaling three altogether. The first commentary is in Japanese,
and therefore includes English subtitles, in which co-director
Moto Sakakkibara, sequence supervisor Hiroyuki Hayashida, lead
artist Tatsuro Maruyama, and phantom supervisor Takoo Noguchi,
all discuss the many nuances of animating the film and constructing
the various characters emotionally and physically. Animation
director Andy Jones, editor Chris C. Capp, and staging director
Tani Kunitake talk more about the story and what it took to
work with the story and with the animation on a balanced level.
The commentary and isolated music score from Elliot Goldenthal
is a unique joy, something not found on many DVDs on the market.
-- |
| Final
Words: |
"Final Fantasy" may change the face
of computer animation as we know it. The film is one big special
effect, but it's one done with care and good intentions, and
it's something we've never seen before. The DVD does the movie
a superb justice, and keeps us wanting more and then giving
it to us. One of the best.
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