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Final Fantasy: The Spirits Within


Reviewed by: David Litton
Genre: Sci-Fi
Video: 1.85:1 widescreen
Audio: Dolby Digital 5.1 (English), 2.0 (English, French)
Language: English, French
Subtitle: English, French
Length: 106 min
Rating: PG-13
Release Date: 08/27/2002
Studio: Columbia Pictures
Commentary: Commentary with co-director Moto Sakakkibara, sequence supervisor Hiroyuki Hayashida, lead artist Tatsuro Maruyama, and phantom supervisor Takoo Noguchi, commentary with animation director Andy Jones, editor Chris C. Capp, and staging director Tani Kunitake
Documentaries: None
Featurettes: None
Filmography/Biography: None
Interviews: None
Trailers/TV Spots: Yes
Alternate/Deleted Scenes: None
Music Video: None
Other: Isolated score with commentary by composer Elliot Goldenthal, storyboard/playblast selects with optional commentary and subtitled factoids
Cast and Crew: Ming-Na, Alec Baldwin, Ving Rhames, Steve Buscemi, Peri Gilpin, Donald
Screenplay by: Written by: Al Reinert, Jeff Vint
Produced by: Jun Aida, Chris Lee, Akio Sakai
Directed By: Hironobu Sakaguchi,
Music: Elliot Goldenthal
The Review:

In trying to think of how to put in words my thoughts on "Final Fantasy: The Spirits Within," I'm slightly at a loss. After one hour and forty six minutes of watching a continuous special effect, I've come to the conclusion that the film will go down in history as a golden nugget of the modern era, and a symbol of the ongoing creation of bigger and better (not to mention believable) visual effects. ***

And while the computer animation is eye-popping and awe-inspiring, the story behind it is passable enough to back it up, including some good character development and interaction, and a futuristic vision of Earth that has more ups than downs. This isn't sci-fi in the great tradition of the classics in the genre, but it provides a reason for the special effects, keeping them from seeming arbitrary and routine. ***

The movie takes us to the year 2065, and Earth is desolate and barren, and overrun by years of war which pits the remains of the human race against strange, ghost-like creatures referred to as "phantoms." Among these is Aki Ross (voiced by Ming-Na), a young female scientist in search of remaining life forms among barren sections of the planet. After an incident in the abandoned section of New York City, she meets up with former flame Captain Edwards (Alec Baldwin), who is assigned to guard her. ***

But his assignment comes from a less-than-honorable general (James Woods), who wishes to incarcerate Aki when it is revealed that she is infected with a contained strand of the phantom phenomena, which seems to be breaking free of its confines within her. His true intention is to have a new military weapon approved for use against the menace, hoping to disprove the theory held by Aki and her mentor, Dr. Sid (Donald Sutherland), that retrieving spirits of nature will create a force strong enough to wipe out the powerful juggernaut. ***

This is where the story meets most of its ups and downs. When the story isn't trying to create a sense of awe and wonder through theological beliefs pertaining to the battle of good versus evil, it works well. The background history behind the phantoms will seem a bit contrived, even silly. Other plot lines, such as the sense of heroism instilled in the characters, and the battle between the scientists and the government officials, work much better. ***

The characters are also some of the better-developed characters of the year, and they're all digital, for crying out loud. The movie devotes much time to developing each one individually, from a scene involving Aki and Edwards being trapped in an overhead observatory, to Aki's conversations with Dr. Sid. The interaction between the characters provides some laughs as well as some believable moments of heroic actions. Each voice talent gets into the mindset of their character, and makes their emotions appear as real as the CGI actors themselves. ***

The movie's most memorable aspect, without a doubt, is the dazzling use of computer animation, which stands as a striking achievement in the history of movie-making. Composed entirely of CGI, the movie itself is one big special effect, one that is easily discernable from reality, but is nonetheless impressive in its audaciousness and its grand sense of scope and vision. The actors, I'm told, were created entirely from scratch, without the use of human digitization. Such facts as this create a heightened sense of appreciation for the effort and work that goes into a project such as this. ***

"Final Fantasy: The Spirits Within" becomes more than just a futuristic look at Earth: it also becomes a futuristic look at filmmaking. The story will be a bore to some looking for readily-believable theories and dialogue, and may even disappoint followers of the sci-fi genre, but it's not without its intentions, and it meets those intentions by bringing us filmmaking as we've never seen it before. We may be years away from seeing real actors completely replaced by digital ones, but after this film, the possibility has become frightening real.

Image and Sound A superb picture and sound DVD, one worth owning to show off a fine sound system. The sound is full of deep, resonating bass, almost system threatening, while the entire sountrack, from the score to the many sound effects of phantoms, humans, and machinery, is all wonderfully recorded and placed in various locations of the soundfield. There is also a highly directionalized trait to the soundtrack as well. The image quality does the movie a great justice, bringing out the best of the computer animation and all its many meticulous undertakings.
The Extras Like the previous two-disc release, this DVD offers the viewer a very interesting approach to watching the movie, by playing the film in its entire, yet branching certain scenes off by showing them in storyboards and in rough animation process, with an optional commentary track in which the filmmakers discuss the various techniques and shot processes. Subtitled factoids should prove to be quite intriguing as well.
Commentary The first commentary is in Japanese, and therefore includes English subtitles, in which co-director Moto Sakakkibara, sequence supervisor Hiroyuki Hayashida, lead artist Tatsuro Maruyama, and phantom supervisor Takoo Noguchi, all discuss the many nuances of animating the film and constructing the various characters emotionally and physically. Animation director Andy Jones, editor Chris C. Capp, and staging director Tani Kunitake talk more about the story and what it took to work with the story and with the animation on a balanced level. The commentary and isolated music score from Elliot Goldenthal is a unique joy, something not found on many DVDs on the market.
Final Words: I'm not exactly sure why Columbia has chosen to re-release this film in a single-disc version, considering how immersive the previous special edition was.


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September 14, 2002