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Review
Archives
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Today's
Date is:
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Final
Fantasy: The Spirits Within
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Reviewed
by: |
David
Litton |
| Genre: |
Sci-Fi |
| Video: |
1.85:1
widescreen |
| Audio: |
Dolby Digital
5.1 (English), 2.0 (English, French) |
| Language: |
English,
French |
| Subtitle: |
English,
French |
| Length: |
106
min |
| Rating: |
PG-13
|
| Release
Date: |
08/27/2002
|
| Studio: |
Columbia
Pictures |
| Commentary:
|
Commentary
with co-director Moto Sakakkibara, sequence supervisor Hiroyuki
Hayashida, lead artist Tatsuro Maruyama, and phantom supervisor
Takoo Noguchi, commentary with animation director Andy Jones,
editor Chris C. Capp, and staging director Tani Kunitake |
| Documentaries:
|
None |
| Featurettes:
|
None |
| Filmography/Biography:
|
None |
|
Interviews: |
None |
| Trailers/TV
Spots: |
Yes |
| Alternate/Deleted
Scenes: |
None |
| Music
Video: |
None |
| Other:
|
Isolated
score with commentary by composer Elliot Goldenthal, storyboard/playblast
selects with optional commentary and subtitled factoids |
| Cast
and Crew: |
Ming-Na,
Alec Baldwin, Ving Rhames, Steve Buscemi, Peri Gilpin, Donald
|
| Screenplay
by: |
Written by:
Al Reinert, Jeff Vint |
| Produced
by: |
Jun Aida, Chris Lee,
Akio Sakai |
| Directed
By: |
Hironobu
Sakaguchi, |
| Music: |
Elliot Goldenthal
|
| The
Review: |
In trying to think of how to put
in words my thoughts on "Final Fantasy: The Spirits Within,"
I'm slightly at a loss. After one hour and forty six minutes
of watching a continuous special effect, I've come to the
conclusion that the film will go down in history as a golden
nugget of the modern era, and a symbol of the ongoing creation
of bigger and better (not to mention believable) visual effects.
***
And while the computer animation
is eye-popping and awe-inspiring, the story behind it is passable
enough to back it up, including some good character development
and interaction, and a futuristic vision of Earth that has
more ups than downs. This isn't sci-fi in the great tradition
of the classics in the genre, but it provides a reason for
the special effects, keeping them from seeming arbitrary and
routine. ***
The movie takes us to the year
2065, and Earth is desolate and barren, and overrun by years
of war which pits the remains of the human race against strange,
ghost-like creatures referred to as "phantoms." Among these
is Aki Ross (voiced by Ming-Na), a young female scientist
in search of remaining life forms among barren sections of
the planet. After an incident in the abandoned section of
New York City, she meets up with former flame Captain Edwards
(Alec Baldwin), who is assigned to guard her. ***
But his assignment comes from a
less-than-honorable general (James Woods), who wishes to incarcerate
Aki when it is revealed that she is infected with a contained
strand of the phantom phenomena, which seems to be breaking
free of its confines within her. His true intention is to
have a new military weapon approved for use against the menace,
hoping to disprove the theory held by Aki and her mentor,
Dr. Sid (Donald Sutherland), that retrieving spirits of nature
will create a force strong enough to wipe out the powerful
juggernaut. ***
This is where the story meets most
of its ups and downs. When the story isn't trying to create
a sense of awe and wonder through theological beliefs pertaining
to the battle of good versus evil, it works well. The background
history behind the phantoms will seem a bit contrived, even
silly. Other plot lines, such as the sense of heroism instilled
in the characters, and the battle between the scientists and
the government officials, work much better. ***
The characters are also some of
the better-developed characters of the year, and they're all
digital, for crying out loud. The movie devotes much time
to developing each one individually, from a scene involving
Aki and Edwards being trapped in an overhead observatory,
to Aki's conversations with Dr. Sid. The interaction between
the characters provides some laughs as well as some believable
moments of heroic actions. Each voice talent gets into the
mindset of their character, and makes their emotions appear
as real as the CGI actors themselves. ***
The movie's most memorable aspect,
without a doubt, is the dazzling use of computer animation,
which stands as a striking achievement in the history of movie-making.
Composed entirely of CGI, the movie itself is one big special
effect, one that is easily discernable from reality, but is
nonetheless impressive in its audaciousness and its grand
sense of scope and vision. The actors, I'm told, were created
entirely from scratch, without the use of human digitization.
Such facts as this create a heightened sense of appreciation
for the effort and work that goes into a project such as this.
***
"Final Fantasy: The Spirits Within"
becomes more than just a futuristic look at Earth: it also
becomes a futuristic look at filmmaking. The story will be
a bore to some looking for readily-believable theories and
dialogue, and may even disappoint followers of the sci-fi
genre, but it's not without its intentions, and it meets those
intentions by bringing us filmmaking as we've never seen it
before. We may be years away from seeing real actors completely
replaced by digital ones, but after this film, the possibility
has become frightening real.
|
| Image
and Sound |
A
superb picture and sound DVD, one worth owning to show off a
fine sound system. The sound is full of deep, resonating bass,
almost system threatening, while the entire sountrack, from
the score to the many sound effects of phantoms, humans, and
machinery, is all wonderfully recorded and placed in various
locations of the soundfield. There is also a highly directionalized
trait to the soundtrack as well. The image quality does the
movie a great justice, bringing out the best of the computer
animation and all its many meticulous undertakings. |
| The
Extras |
Like
the previous two-disc release, this DVD offers the viewer a
very interesting approach to watching the movie, by playing
the film in its entire, yet branching certain scenes off by
showing them in storyboards and in rough animation process,
with an optional commentary track in which the filmmakers discuss
the various techniques and shot processes. Subtitled factoids
should prove to be quite intriguing as well. |
| Commentary |
The
first commentary is in Japanese, and therefore includes English
subtitles, in which co-director Moto Sakakkibara, sequence supervisor
Hiroyuki Hayashida, lead artist Tatsuro Maruyama, and phantom
supervisor Takoo Noguchi, all discuss the many nuances of animating
the film and constructing the various characters emotionally
and physically. Animation director Andy Jones, editor Chris
C. Capp, and staging director Tani Kunitake talk more about
the story and what it took to work with the story and with the
animation on a balanced level. The commentary and isolated music
score from Elliot Goldenthal is a unique joy, something not
found on many DVDs on the market. |
| Final
Words: |
I'm
not exactly sure why Columbia has chosen to re-release this
film in a single-disc version, considering how immersive the
previous special edition was. |
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