|
|
|
Search Movie Review
Archives
|
|
|
| |
| Dvdivas
was founded by John Gabbard in 2000. It's purpose has been and
remains to be to provide you, the entertainment community with
the latest dvds and movie reviews. It will continue to be your
link to the most popular dvd movies. |
|
|
“Gallipoli:
Special Edition”
|
 |
Reviewed
by: |
Wayne
Klein |
| Genre: |
Historical
Drama |
| Video: |
1.85:1 Anamorphic
Widescreen |
| Audio: |
Dolby Digital
5.1, 2.0 |
| Languages |
English,
French |
| Subtitles |
English,
Spanish |
| Length |
110 minutes
|
| Rating |
PG |
| Release Date |
12/13/05
|
| Studio |
Paramount
|
| Commentary:
|
None |
| Documentaries:
|
“Entrenched:
The Making of Gallipoli” |
| Featurettes:
|
None |
| Filmography/Biography:
|
None |
|
Interviews: |
None |
| Trailers/TV
Spots: |
Trailer |
| Alternate/Deleted
Scenes: |
None |
| Music
Video: |
None |
| Other:
|
None |
| Cast
and Crew: |
Mark Lee, Mel Gibson, Bill Kerr,
Harold Hopkins, Charles Yunupingu, Ron Graham
|
| Written
By: |
David Williamson
based on a story by Peter Weir and David Williamson |
| Produced
By: |
Patricia
Lovell and Robert Stigwood |
| Directed
By: |
Peter Weir
|
| Music:
|
Brian May,
Tomaso Albinoni, Georges Bizet, Jean-Michel Jarre |
| The
Review: |
An infamous conflict in history
that occurred during WW I, “Gallipoli” comes around for the
infamous double dip from Paramount. This time around, though,
Paramount gets it right and includes a six part documentary
on the real conflict and the making of the movie. This was
the first vehicle where I caught my first performance of Mel
Gibson who along with Mark Lee create the heart and soul of
Weir’s terrific film about the brutality of war. The film
has aged remarkable well despite the use of early synthesizer
music as an occasional score (much like “Chariots of Fire”
whose synthesizer score pleasant as it is has aged badly).
***
Archy Hamilton (Lee) runs like
the wind. He’s got the speed and ability to be an Olympic
caliber athlete but his idealistic beliefs pull him away from
running to serve in the war in the Australian cavalry. He’s
joined by rival Frank Dunne (Mel Gibson) another amazing sprinter
who competes for the money. The two strike up an unlikely
friendship after their match against each other and end up
enlisting despite Dunne’s initial disinterest in becoming
yet another body trying to outrun flying bullets. This harsh
indictment of the b senseless nature of war and how it robs
the world of promising young men in their prime allows Weir
to wax on the nature of what war costs a nation. Weir avoids
he politics of right or wrong regarding the conflict instead
focusing on the terrible cost war visits on human life. The
visuals are frequent stunning and “Gallipoli” like Weir’s
earlier films continued to show the breathtaking development
of an amazing filmmaker with as much intelligence behind the
camera as skill with it. ---
|
| Image
and Sound: |
Paramount’s previous release looked
extremely good on DVD. This edition looks remarkable sharp
and crisp with a nice reproduction of the textures, colors
and clarity of the theatrical release. The 5.1 audio sounds
fine here although clearly it isn’t used to the optimal effect
it could be given the film’s age.
|
| The
Extras: |
We get a six part documentary on
the making of the film that also includes a bit of history.
Featuring interviews with the late Bill Gammage author of
“The Broken Years”, film director Weir, screenwriter Williamson
actors Gibson, Lee and others from the production of the film
the documentary focuses initially on the conditions that provoked
the country to become involved in WWI despite no direct threat
to their nation. It’s far from the dry documentaries that
many people are accustomed to, the inclusion of those who
were involved in the production of the film discussing the
circumstances of the conflict at Gallipoli makes the documentary
far more entertaining and interesting that one might expect
otherwise. Inspired by Kubrick’s “Paths of Glory” Weir decided
to do the film after visiting Gallipoli in Turkey. There’s
footage that shows the historically preserved location. Weir
discusses the emotional impact of his visit and how it solidified
his decision to make the movie. Weir relates how there are
still items from the war at the site. Weir brought Williamson
on as the writer and the film’s genesis actually began in
1977 with their collaboration. They went through many drafts
before discovering the core story. Gammage’s book which included
letters from actual soldiers from the time became the touchstone
for Weir and Williamson. We also get the original theatrical
trailer for the film. ---
|
| Commentary:
|
There’s
no commentary track as Weir isn’t a fan of commentary tracks.
|
| Final
Words: |
A terrific film, this is a bitter
reminder of the callousness of war. For those that feel the
need to enlist this is an enlightening reminder that the job
of the military isn’t a game nor is it a frat. Once called
into service war is a brutal, nasty business that plucks whole
generations and wipes them from the face of the Earth sometimes
for a questionable cause. Without going into the politics
of the war, Weir brilliant visualizes the destruction of war
and the script written by David Williamson provides perfectly
realized characters in this powerful film.
|
|
|