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"Girl with a Pearl Earring"
Reviewed by: Wayne A. Klein
Genre: Drama
Video: Anamorphic Widescreen
Audio: Dolby Digital 5.1
Languages English
Subtitles English
Length 100 minutes
Rating PG-13
Release Date 5/4/04
Studio Lion's Gate Home Video
Commentary: Director Peter Webber
Documentaries: None
Featurettes: "Anatomy of a Scene"
Filmography/Biography: None
Interviews: None
Trailers/TV Spots: None
Alternate/Deleted Scenes: None
Music Video: None
Other: None
Cast and Crew: Colin Firth, Scarlett Johannsson, Tom Wilkinson, Judy Parfitt, Cillian Murphy, Essie Davis
Written By: Olivia Hetreed
Produced By: Andy Patterson
Directed By: Peter Webber
Music: Alexandre Desplat
The Review:

Set in the 17th Century and inspired by one Vermeer's masterful paintings, "Girl with a Pearl Earring" creates a fictional story around what might have inspired the great painter to create one of his masterpieces. Vermeer (Firth) struggles with limited resources and a lack of inspiration. His mother-in-law (Parfitt) keeps a tight hold on the family resources making it difficult for Vermeer to create. While she recognizes his genius, she also wants him to produce painting by route because of the income his work earns. ***

Vermeer notices that their new uneducated housekeeper Griet (Johannsson) has a natural affinity for art. He demands that she be allowed to help him mix his paints and prepping his studio. Jealousy arises when a wealthy patron (Wilkinson) commissions Vermeer to paint Griet's portrait. Vermeer borrows of his wife's earrings sparking jealousy and further antagonizing his already emotionally sensitive wife. ***

A nicely directed and acted film, "Girl with a Pearl Earring" speculates behind the creation of one of Vermeer's most famous paintings. Far from static, this rich period piece captures your attention immediately. There's no explosions, no murders and no action to speak of but the developing relationship between Vermeer and Griet. The lovely photography and well written script make "Girl with a Pearl Earring" a quiet but compelling drama. Director Webber's careful staging allows an intimate relationship to develop between Vermeer and Griet with minimal contact. In many respects, this is a romance about soul mates kept apart by their financial and social differences. ---

Image and Sound: The transfer has some very nice qualities. Given that the film aspires to capture Vermeer's style and the compositions have the qualities of a painting, there's been a lot of attention paid to balancing shadows, light and textures. Although the picture is a bit soft at times, the rich colors and beautifully lit compositions look alive on this DVD. The sound provides a nicely balanced counterpart to the visuals. There's none of the hyperactive detail one sees in an action movie but quiet, nicely detailed moments scattered about the 5.1 mix. ---
The Extras: We only get "Anatomy of a Scene" as an extra here which is curious given the deluxe treatment the movie received in its UK release. The UK version of "Girl" features deleted scenes, a making of featurette and the theatrical trailer.
Commentary: Director Webber details the difficulty in capturing Vermeer's look in a cinematic style without creating a static look for the film. He also details some of the struggles in translating the original novel to the screen and the decision to jettison large chucks of the narrative. Unfortunately, we don't get the writer's commentary that appears on the UK version of this DVD so we'll never know the great lengths that screenwriter Olivia Hetreed went to in trying to fashion a story that stayed true to the novel's main characters but that also had to sacrifice important exposition for the sake of length. ---
Final Words: A beautifully shot involving study about the relationship between artist and subject, "Girl with a Pearl Earring" is sadly wanting when it comes to extras. Since those extras were already available in the UK version of the film, I'm surprised that Lion's Gate didn't license them. The audience of for the film may be small but fans would have lined up to pay a bit more for these extras. Without the benefit of writer's commentary track we don't really know what might have been sacrificed early on in the writing process. I have to wonder how much additional footage was shot but cut due to time constraints. Clearly this is an example of a film that would have benefited from a "Director's Cut" but given the lack of success in the United States, it's unlikely we're going to see it.

 

 
 
 
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