|
“The Grudge:
Director’s Cut”
|
 |
Reviewed
by: |
Wayne A. Klein |
| Genre: |
Horror |
| Video: |
1.85:1 Anamorphic
widescreen |
| Audio: |
Dolby Digital
5.1 |
| Languages |
English |
| Subtitles |
English,
Spanish |
| Length |
98 minutes
|
| Rating |
NR |
| Release Date |
5/17/05 |
| Studio |
Columbia
Home Entertainment |
| Commentary:
|
Director
Takashi Shimizu, producer Taka Ichise and actor Takako Fuji
|
| Documentaries:
|
A Powerful
Rage: Behind the The Grudge |
| Featurettes:
|
“The Grudge House: An
Insider’s Tour”, “Production Designer’s Notebook: The Sketches
of Iwao Saito”, “Sights and Sounds: The Storyboard Art of Takashi
Shimizu”, “Sarah Michelle Gellar’s Video Diary”, “Kadee Strickland’s
Video Diary” |
| Filmography/Biography:
|
None |
|
Interviews: |
None |
| Trailers/TV
Spots: |
None |
| Alternate/Deleted
Scenes: |
15 deleted
scenes with optional commentary |
| Music
Video: |
None |
| Other:
|
None |
| Cast
and Crew: |
Sarah Michelle
Gellar, Jason Behr, Kadee Strickland, Clea DuVall, Bill Pullman,
Ted Raimi |
| Written
By: |
Stephen Susco
based on the screenplay by Takashi Shimizu |
| Produced
By: |
Sam Raimi,
Robert Tapert, Taka Ichise |
| Directed
By: |
Takashi Shimizu
|
| Music:
|
Christopher
Young |
| The
Review: |
There are a few rules they teach
you when you become a realtor: 1) Always check for signs of
water damage in bathrooms and the kitchen. 2) Flush the toilets
how quickly they refill. 3) Check the attic for dead desiccated
bodies before you move in. 4) Find out if any crazy person
committed murders in the house. 5) Contact the local priest
to find out about exorcisms if any of the above applies. I'm
surprised that more first time home buyers don't know about
these rules. It's not like their a secret or something. ***
Sarah Michelle Gellar stars as
Karen Davis a nurse living in Japan who provides care for
those an assisted living program. This spooky ghost story
scared up a hefty profit when it opened. It appears that grudges
pay off for director Takashi Shimizu as this is his third
or fourth remake of the same film. Luckily, the American remake
refines the scares that made the Japanese theatrical hit such
a big draw both overseas and even inthe US. Keep in mind this
is a suspenseful ghost story not a gore fest so don’t expect
a lot of blood and guts because that’s not what this is all
about (although it does have its moments). This special edition
of the film essentially keeps the original presentation intact
adding roughly 7 minutes of extended material. It makes the
film a tad bit gorier but doesn’t alter the film’s impact.
|
| Image
and Sound: |
A top notch
transfer from Columbia highlights this terrific DVD. The colors
are vivid and bright capturing the lovely, ghostly look of the
original theatrical release perfectly. The 5.1 mix uses the
format extremely well with nice imaging, sound and depth. The
ethereal sound mix perfectly matches the tone and texture of
the visual images. This new transfer like the theatrical version
was done in high definition making the image quality a bit sharper
and crisper than a more traditional anamorphic transfer. |
| The
Extras: |
“The Grudge
House: An Inside’s Tour” is exactly what its title states;
a camcorder walks the empty sets intercutting scenes from
the movie as we walk through it. It’s a complete waste of
time. “Sights and Sounds” contrasts clips and the storyboards
used throughout the movie by the director and production crew.
In some instances we hear the film’s soundtrack for the sequence
set against the storyboards. Again, it’s a waste of time and
doesn’t justify the much better original featurettes. My guess
is that these were prepared for the movie with the idea of
a two disc set and, when the film sold well, Columbia-Tristar
elected to recycle the featurettes that weren’t used. “Production
Designer’s Notebook” is a much more solid featurette that
focuses on the original drawings for the sets set against
music from the soundtrack. Many of the sketches have a creepy
elegance to them. Again, is it worth buying this again? Frankly
it isn’t. The video diaries by Sarah Michelle Gellar and Kadee
Strickland are amusing with its informal glimpses at the production
between scenes and informal interviews with production crew.
Strickland’s video diary is the better of the two as she takes
viewers on an informal tour of Tokyo. It’s like having your
friend show you their vacation footage only it’s a bit more
professionally shot. Again, neither one of these justify purchasing
this again on DVD. ---
|
| Commentary:
|
The commentary
is provided in a text format similar to that on “Hero”. The
commentary on the original edition featuring Ted and Sam Raimi,
Sarah Michelle Gellar and Kadee Strickland has been sacrificed
here for more featurettes. I would have preferred to have the
original audio commentary track even though it was for the theatrical
release of the film with all the featurettes relocated to a
second disc. Adding these featurettes to a second disc would
have increased the bit space for th film enhancing the high
definition transfer even more. The featurettes included on this
edition as I mentioned on the above paragraph are just not all
that impressive. --- |
| Final
Words: |
A great,
scary ghost story “The Grudge: The Director’s Cut” will keep
you on the edge of your seat. Well made, acted and produced
the DVD looks exceptionally good. The featurettes included on
this edition seem like the also-rans that were dropped in development.
With the exception of the production design featurette, they
don’t add anything to the experience of the DVD. Eliminating
the original theatrical commentary track was a bad move. While
the text commentary by the director provides interesting tidbits
about the making of the film, it’s not as enjoyable as the original
commentary track. I’m at a loss as to why Columbia didn’t just
release this in two editions. They could have released “The
Grudge: The Director’s Cut” as a two disc version featring a
disc with a seamlessly branching version of both films (similar
to “The Forgotten” and “Alien”). They could have slapped all
the extras included on both discs onto a second disc. The text
commentary could easily have replaced one of the subtitles in
another language. We also could have kept the original, superior
commentary track from the other edition. Sadly, this appears
to be a case of the double dip and it’s a case where the extras
and additional footage do not make it worthwhile for fans of
the film to purchase it a second time. |