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"The Happening"
Reviewer:
Wayne A. Klein
Studio: 20th Century Fox Home Video
Genre:
Horror
Release Date:
10/07/08
Special Features:

"The Hard Cut", "I Hear You Whispering", Visions of the Happening", "A Night for a Night", "Elements of a Scene" featurettes, gag reel, trailers, deleted/extended scenes

Review:

For those trying to figure out why "The Happening" isn't, the answer as they say is blowing in the wind. M. Night Shyamalan's tried to take a harder edge with this film earning it an "R" rating to attract the teens but what Shyamalan failed to do was create a scary film. By the end of "The Happening" you'll find yourself laughing at the bad dialogue, bad acting and bad almost absurd sequences involving gore. "The Sixth Sense" showed tremendous promise and while "Unbreakable" didn't advance that promise much, it did demonstrate a director who was confident enough to handle a complex film that departed from traditional formulas. After that Shyamalan fell into the very pit of formulas he was trying to avoid with each succeeding film sinking further and further into the quicksand of mediocrity. ***

"The Happening" steps into Hitchcock territory but trips within the first ten minutes of the film losing its balance often amid clunky dialogue that is totally unconvincing. When a mysterious toxin is released in their city high school teacher Elliot Moore, his distant wife Alma (Mark Wahlberg who once again resorts to using his out-of-breath acting style that is supposed to convey confusion and tension and the normally good Zooey Deschanel), their friend math teacher Julian (John Leguizamo) and his daughter Jess (Ashlyn Sanchez) all decide to take the train to Pennsylvania until this terrorist attack blows over. The toxin causes those effected to lose their sense of direction, talk nonsense and kill themselves. Their train mysteriously stops in the middle of nowhere as the railroad loses all contact with the outside world. ***

The film certainly has its chilling moments for example the first ten minutes are both visually arresting and disturbing as we see people in Central Park mysteriously all stop at once as if frozen and then seem some of them walk backwards or talk nonsense as they kill themselves. The second and even more disturbing scene involves a construction site where as their colleagues watch in horror the men on the top floor jump mindlessly to their deaths. From there the film quickly becomes a silly thriller where people are running from the wind quite literally and unseen forces. It's clear that Shyamalan visualized the most visually startling scenes and then came up with a storyline to go with it (which isn't a bad thing--that's how Hitchcock dreamed up "North by Northwest" but at least he worked with screenwriters to come up with a credible story to back it up) but, unlike "The Birds", Shyamalan doesn't really come up with something visually striking enough to make a threatening impression. Trees moving in the breeze playing the role of the boogeyman just doesn't work here and the use of grass rolling in the wind likewise. He also comes forward with an explanation that while not necessarily completely silly is revealed too soon into the film. While Hitchcock did the same thing with both "Psycho" and "The Birds" he was dealing with a far less sophisticated and jaded audience at the time AND he kept these explanations or theories to himself until the third act or epilogue of the films. Shyamalan's disclosure is just silly. Having exhausted "The Twilight Zone" twist in his films "The Sixth Sense", "Unbreakable" and "The Village", he reveals everything up front. That would be fine if the performances were strong and the dialogue wasn't some of the worst that I've heard in any major Hollywood film this year but "The Happening" manages to underwhelm after a chilling opening on just about every level. Heck, there's one gore sequence that just looks amateurish like it was pulled from a grade Z horror movie. One thing that Shyamalan doesn't do well is sequences involving gore. ---

Image & Sound:

It's not hard to figure out what happened with this awful looking studio screener that Fox sent out. I just can't figure it out. Fox is cheap when it comes to all the WRONG things. Why not just sent a regular DVD or at the very least a dual layer beta version DVD-R that will handle the visual information just like the final version might. Colors look fine but whenever there is action pixilation is just about everywhere. Clarity and detail look fine in static scenes but look awful in scenes involving any sort of action. All I can say is that Fox needs to reevaluate their preview discs for critics since they look cheap, give no idea as to what the final product will truly look like, damage their reputation and end up costing them more money in the long run. ***

Audio sounds just fine because it is rarely compromised in the studio burned single layer DVD-R discs. It's effectively used. ---

Special Features:

We get some extended and deleted scenes with the most silly being the more graphic sequence where a zoo employee allows lions to eat him alive. It's quite clear why it was cut--when the lion goes for the throat it's clearly a dummy. Most of the deleted scenes were cut for good reason--they're worse that the stuff we see in the film. ***

There's also a gag reel included with the set. ***

"The Hard Cut" is a featurette focusing on Night's first foray into "R" rated territory and why he pushed the boundary for this film. Honestly, it might have worked with "Signs" (a film that was quite decent until the fourth act where the film falls completely apart) or even "The Village" (likewise falling apart by the fourth act reveal but which I still feel despite negative press is a good film that gets lost because of the unnecessary use of an O. Henry type ending that Rod Serling would have been embarrassed to use). ***

"I Hear You Whispering" gives Broadway, TV and film veteran Betty Buckley face time with viewers. Evidently Buckley and Night felt that her crazy character Mrs. Jones provides the character of Alma glimpse into her future if she continues to be distant and distrustful. I don't buy it and I don't think audiences did either. ***

"Visions of 'The Happening'" gives us a loving valentine to the film from the production crew and the cast. It's a solid behind-the-scenes featurette. ***

"A Day for a Night" let's us watch Night operate in director mode working with cast and crew during one day of shooting. ***

"Elements of a Scene" shows us how a car crash that happens in the film was carefully constructed from the physical effects angel down to the pre-visualization to the final construction of the sequence. It's actually a pretty good primer on how difficult and dangerous physical stunts are put together for a film like this without harming the actors or crew. We also get trailers for other Fox films.

Final Words:

I like many of Night's films and there's no doubt he is talented but he needs to work with a producer and another writer who will challenge him, his working method and approach to material. When he wears the hat of writer/producer/director his films generally suffer as a result. He doesn't have perspective and there's really no one to tell him "no". The result is a film career that started out with promise delivered somewhat on that promise and then fell into sharp decline. I'm hoping that Night will astound and amaze us with "Avatar: The Last Airbender" (based on the popular anime series that is shown on Cartoon Network). Since the source material comes from someone else and he's working with a type of genre he really hasn't tackled before, I'm hoping that he comes out on top. Night's biggest flaw is his cocky belief in himself and the fact that he can do no wrong. It completely undermines "The Happening" and the horrible dialogue with poor casting make this worth skipping despite some startling sequences.

 

 
 
 
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