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“The Ice Harvest”
Reviewer:
Wayne A. Klein
Studio: Universal
Genre: Comedy
Release:
2/27/06
Special Features: Two alternate endings, outtake with Billy Bob Thornotn, “Cracking the Story” featurette, “Beneath the Harvest” featurette, “Ice Cracking: Analysis of a Scene”, Commentary by director Harold Ramis
Review:

There are always great movies that are lost in the shuffle of holiday releases. Whether it’s because of lack of interest on the part of the studio and audience or bad luck some of the best films sometimes get lost in all the noise of arty and “important” releases (you probably know which ones these are as they were ALL nominated for Academy Awards this year while this black comedy was overlooked) it’s pretty unfair that these terrific releases get overlooked. “The Ice Harvest” perfectly embodies this type of release. No word of mouth, no buzz and no worthwhile advertising heralded this films arrival. Lucky for you and me we have DVD to save this film from having to be rediscovered in ten or twenty years as one of the funniest and best films of 2005. Charlie Arglist (John Cusack) plots the perfect crime—stealing $2 millin from his boss with his partner Vic (Billy Bob Thornton) that goes horribly wrong in this black comedy set on Christmas Eve. Charlie believes that the perfect crime can be committed as long as you have character something that Charlie admits he can’t have otherwise why would he be committing this crime? In the meantime he has to deal with his drunk buddy Pete (Oliver Platt) who has married his ex-wife, a lawyer who is being blackmailed for a photo of his indiscretion and a mob heavy looking for him that Charlie suspects knows all about his planned heist. Thank God this project came along as I was afraid that one of our generation’s great comedic eading men was going to continue to be wasted in projects like “Must like Dogs”. Ramis manages to capture just the right note desperation, comedy and madness that infect all of these unhappy people on what is supposed to be the warmest night of the year.

--- Image & Sound:

Featuring a wonderful looking transfer the chilly surface of the film is captured perfectly here. The cool looking surface of the film mirrors the subject matter. Detail and clarity are exceptional. The 5.1 presentation sounds quite nice but keep in mind that this is a comedy with action not an action comedy. There’s a difference—the former focuses primarily on highlighting the dialogue the latter the explosions. The film is available by the way in both a 1.85:1 widescreen and 1.33:1 full screen presentation. ---

Special Features:

A “Cracking the Ice” features screenwriters Robert Benton (“Kramer vs. Kramer”, “Places in the Heart”), Richard Russo (“Nobody’s Fool,” “Empire Falls”) and novelist Scott Phillips discussing the creation of the story covering it from a unique angle—from the moment that Philips came up with the idea for the novel through the adaptation process for Ramis’ film. Benton discovered the book recommended it to Russo. The three writers interview each other. Interestingly both Benton and Russo thought it was perfect for a film while Phillips felt it was not good material for a film despite the fact that he had spent months previously to writing it working on screenplays. ***

”Beneath the Harvest” features director Ramis, producer Ron Yerxa, actors Connie Nielsen, John Cusack, Billy Bob Thornton discussing what the film is about and what attracted them to the project. Ramis is the most interesting of the group revealing what attracts him to comedies like this (let’s just say it’s a dark philosophy). Cusack focuses much more on what he liked about playing Charlie his character in the film and what drew him to playing such an unfortunate character. One of my favorite actors Oliver Platt mentions what he feels is the core of the story and what makes it work so well. Interestingly Ramis came to the project AFTER the script was written and admits he went back to read the novel after he read the screenplay. While he loved the screenplay h wanted to see if there was anything the writers had missed (probably the writer in him talking) and found that they had captured it perfectly. It’s a solid “making of” featurette although nothing spectacular. ***

“Analysis of a Scene” is pretty self explanatory discussing the difficulty in creating one scene involving the lake. The scene was central and crucial to the success of the film. Ramis and the producers had their team create a mini-lake that they digitally enhanced for the sequence. They all knew though that they needed to have a physical location to sell the scene beyond the digital enhancements. They used melted paraffin to crate the look of the ice in the scene making it easier (and safer to shoot the sequence). We also have a very funny outtake where Thornton plays the scene in his character of Carl from “Sling Blade”. ***

Ramis provides an amusing blow-by-blow commentary track that’s quite amusing. Strangely you can access his commentary tracks via both the special features menu and language but can’t turn it off via both menus. The special features are great for this set my only complaint is that you can’t turn on and off the commentary track via your remote (something I like to do if I’ve just watched a scene and want a scene specific commentary) via your remote. Other than that whomever Universal hired to do the special features did a exceptional job overall. ---

Final Words:

A marvelous, suspenseful black comedy that lost its way into the glut of holiday releases, we’re lucky to have home video to appreciate this terrific black comedy. This is truly a gem of a film. Yes, it’s cynical and dark but it’s funny as hell. Ramis has crafted the antithesis of “It’s a Wonderful Life”. It’s a tonic for the dark soul and funny bone regardless of the type of year you watch it. Remember what Vic has to say about Christmas next year around--"Only morons are nice to each other on Christmas". --------------------------------------------------------------------------------

 

 
 
 
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