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was founded by John Gabbard in 2000. It's purpose has been and
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“In Her
Shoes”
|
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Reviewed
by: |
Kim
Anehall |
| Genre: |
Drama |
| Video: |
Anamorphic
Widescreen 2.35:1 |
| Audio: |
Dolby Digital
5.0, Dolby Digital 2.0 |
| Languages |
English,
French, Spanish |
| Subtitles |
English,
Spanish |
| Length |
130 min |
| Rating |
PG-13 |
| Release Date |
January 31,
2005 |
| Studio |
20th Century
Fox Home Entertainment |
| Commentary:
|
None |
| Documentaries:
|
None |
| Featurettes:
|
“The People in the Shoes”,
“A Retirement Community for Acting Seniors”, “From Death Row
to the Red Carpet: The Casting of Honeybun” |
| Filmography/Biography:
|
None |
|
Interviews: |
None |
| Trailers/TV
Spots: |
None |
| Alternate/Deleted
Scenes: |
None |
| Music
Video: |
None |
| Other:
|
“Inside Look”
|
| Cast
and Crew: |
Toni Collette, Cameron Diaz, Shirley
MacLaine, Mark Feuerstein, Richard Burgi, Candice Azzara
|
| Written
By: |
Jennifer
Weiner (novel), Susannah Grant (screenplay) |
| Produced
By: |
Lisa Ellzey,
Carol Fenelon, Curtis Hanson, Ridley Scott |
| Directed
By: |
Curtis Hanson
|
| Music:
|
Mark Isham
|
| The
Review: |
The first impression of In Her Shoes
might come across like a melodramatic story, but with a director
such as Curtis Hanson, the final product should be something
else. After all Hanson directed the brilliant thriller L.A.
Confidential (1994) and the terrific film with the pot smoking
college professor who could not finish his book in Wonder
Boys (2000). In 8 Mile, he caringly displays the tough upbringing
of the infamous rapper Eminem, and how his efforts paid off
after years of misery. Thus, it is not without reason to expect
that Hanson could pull off something extraordinary while the
title plays directly towards the allusions of something trite
and common. ***
Even though, Hanson generously
applies stereotypical females through Cameron Diaz’s portrayal,
as the typical long-legged blond bimbo Maggie. Then there
is Toni Collette, with several admirable performances since
her roll as Muriel in Muriel’s Wedding (1994), who reveals
a counter-opposite character to Diaz through her excellent
personification of the overachieving sister with strong type-A
and anal-retentive tendencies. Maggie, on the other hand,
is the kind of girl men turn their heads after while Rose
disappears in the masses. The differences between the two
sisters cause much friction between the girls, as Maggie’s
beauty enhances Rose’s insecurity about her looks and her
ability to date and Maggie internalizes her insecurity through
Rose’s driven and self-made success, as she lacks knowledge,
wisdom, and skill. The only thing that Maggie possesses is
beauty, which she scandalously uses to her advantage to gain
what she desires. However, time is catching up with Maggie,
which only increases her own insecurities. ***
Through Maggie neediness for constant
attention have formed this helpless woman that barely knows
how to drive a car. The only thing that Maggie seems capable
of is to put together a sexy or fashionable outfit. It often
means when she runs out of money or place to stay she returns
to Rose. These moments are very difficulty for Rose, as does
not have the heart to throw Maggie out, even though she is
fully aware that Maggie will end up hurting her by using her
for the moment. Rose even makes effort to help Maggie stand
on her own feet, and not be dependent on others by trying
to find a job for her, which proves to be a far more difficult
task that expected. One of the best scenes in the film takes
place when Maggie stays with Rose and it is when Maggie is
trying on Rose’s expensive shoes. During this scene they talk
about the purpose of having these luxurious footwear, which
subtly enhances the distinct difference in their existence.
***
The insecurities and personalities
that Maggie and Rose hold stem from their childhood, which
seems to have strong ties with their mother who passed away
while they still were children. Meanwhile, their father has
remarried the stepmother from hell who does everything possible,
both consciously and unconsciously, to make both sisters lives
extremely difficult to deal with. On top of this, Maggie discovers
that their grandparents are not dead, as their father has
said. Instead, some hidden letters indicate that their grandparents
live in Florida. To make things even worse, Maggie crosses
the line of no return, as she sleeps with Rose’s boyfriend
and gets caught in the act by her sister. In this complicated
situation, Maggie flees to Florida to use her unaware grandmother
Ella Hirsch (Shirley MacLaine), as a resort where she can
heal her wounds. ***
To this point In Her Shoes seems
to present a rather usual set up for a melodramatic drama,
however, it is also at this point where Hanson throws in a
wrench into the melodramatic machinery. Instead of turning
it to a typical romantic comedy, or sappy drama, Hanson transcends
the film beyond the superficial anticipation of a silly over-the-top
comedy of broken hearts and retribution. The film brings the
audience on a journey through the agonizing memories of distant
and recent past, which allows the story to bring forth moving
qualities such as forgiveness, understanding, and an opportunity
for second chances. The story occasionally feels a little
too sentimental, however, Hanson incorporates these elements
of the story with delicate touch in such a way that it feels
natural and acceptable. Thus, Hanson meets the expectations
again, as In Her Shoes proves to be a poignant tale of two
sisters’ relationship issues that requires much change and
wisdom. *** ---
|
| Image
and Sound: |
The quality of In Her Shoes is rather
remarkable, even though it occasionally displays some edge
enhancement and pixelization. However, it is minimal, and
does not really affect the viewing, unless the viewer is a
purist that stares for the defects. The image comes naturally
in anamorphic widescreen, which is presented in the aspect
ratio 2.35:1. The audio is also very good, as it offers a
nice and clean sound without any distortions. It comes with
an English language track in Dolby Digital 5.1 while there
also are two foreign speaking, Spanish and French, tracks
that are presented in Dolby Digital 2.1. ***
|
| The
Extras: |
Three features exist in the special
features section. The initial feature, The People in the Shoes,
allows for a glimpse behind the scenes where the director
Curtis Hanson provides much interesting information in regards
to the characters and other artistic aspects of the film.
The Retirement Community for Acting Seniors presents the seniors
in the film and how much they enjoyed being a part of the
cast in the film. It is a truly touching feature that is very
unlike many other features I have seen over the years. Lastly,
in the special feature section the audience can find From
Death Row to the Red Carpet: The Casting of Honeybun. Here
the viewer gets a chance to hear how Curtis Hanson and Susannah
Grant picked the dog for Honeybun from an animal shelter.
This feature is very moving and will make dog owners and other
animal lovers cheering for these filmmakers and their innovative
empathy for animals. Besides the features there is also the
Inside Look that presents some promotional behind the scenes
shots and interviews with Lindsay Lohan in the upcoming Just
My Luck (2006). *** ---
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| Commentary:
|
None |
| Final
Words: |
L.A. Confidential and Wonder Boys
were brilliant examples of Curtis Hanson’s ability to direct.
In Her Shoes is also a very good film, but it does not come
near the immaculate cinematic creations that he has done previously.
However, this criticism should not deter the audience from
seeing In Her Shoes, which presents two very good performances
by several actors. Hanson’s direction is still very good,
even though not perfect, and in the end the film will allow
the viewer to experience a sincere and emotional film well
worth the time and money. ***
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