|
“The
Interpreter”
|
 |
Reviewed
by: |
Wayne A. Klein |
| Genre: |
Suspense
thriller |
| Video: |
1.85:1 Anamorphic
Widescreen |
| Audio: |
Dolby Digital
5.1 |
| Languages |
English |
| Subtitles |
English,
Spanish, French |
| Length |
128 minutes
|
| Rating |
PG-13 |
| Release Date |
10/4/05 |
| Studio |
Universal
Studios |
| Commentary:
|
Director
Sidney Pollack |
| Documentaries:
|
None |
| Featurettes:
|
“A Day in the Life of
Real Interpreters”, “Interpreting Pan & Scan vs. Widescreen”,
“Sydney Pollack at Work: From Concept to Cutting Room”, “The
Ultimate Movie Set: The United Nations” |
| Filmography/Biography:
|
None |
|
Interviews: |
None |
| Trailers/TV
Spots: |
None |
| Alternate/Deleted
Scenes: |
Deleted scenes,
alternate ending |
| Music
Video: |
None |
| Other:
|
None |
| Cast
and Crew: |
Nicole Kidman, Sean Penn, Catherine
Keener, Jesper Christian, Yvan Attal, Earl Cameron, Michael
Wright
|
| Written
By: |
Charles Randolph
and Scott Frank and Steven Zallian |
| Produced
By: |
Tim Bevan,
Kevin Misher and Sydney Pollack |
| Directed
By: |
Sydney Pollack
|
| Music:
|
James Newton
Howard |
| The
Review: |
A clever and stylish thriller “The
Interpreter” had too many translators creating confusion worthy
of the Tower of Babel. While the film works well during its
first quarter the pacing sags midway through and Pollack’s
film tries to sprint to the finish line. Unfortunately the
film never does recover from the bloated midsection and the
film’s conclusion doesn’t quite payoff. A story of deceit
and intrigue under the direction of Sydney Pollack “The Interpreter”
does attempt to recall the glory days of Pollack’s “Three
Days of the Condor” but lacks the strong payoff necessary
for this film to truly shine. As always Pollack focuses as
much on weaving the strands of this political thriller as
he does on creating memorable characters. Th appealing performances
of the leads helps off set the issues with the story. ***
Silvia Broome (Nicole Kidman) works
as an interpreter at the United Nations. When she believes
she accidentally hears the details of a conspiracy to murder
one of the delegates Tobin Keller (Sean Penn) a US Secret
Service agent is assigned to her as protection. As Keller
investigates the web of intrigue surrounding Broome he becomes
convinced that she’s someone involved in the assassination
plot. ---
|
| Image
and Sound: |
“The Interpreter” translates very
well to DVD with crisp, sharp images and robust colors. There’s
little in the way of digital flaws such as edge enhancement
to mar the marvelous picture of this terrific transfer. The
5.1 soundtracks utilizes the format to its full effect placing
viewers smack dab in the middle of the action with plenty
of activity in the surround speakers beyond the usual sound
effects.
|
| The
Extras: |
Pollack’s film comes loaded with
extras. A marvelous featurette “Sydney Pollack at Work: From
Concept to Cutting Room” provides insight into the working
methods of Pollack as a director. “Interpreting Pan & Scan
Vs. Widescreen” contrasts the two formats the film is presented
in showing how technicians (and Pollack) try to keep to translate
a widescreen feature to another format without losing the
important visual elements that make a film like this click.
“The Ultimate Movie Set” The United Nations” highlights the
fact that this was the first film ever shot in the United
Nations. “A Day in the Life of Real Interpreters” provides
a touch of reality outside of political thriller fantasies
about the difficulties in making sure information is accurately
presented to representatives from other nations. We also get
a couple of deleted scenes and n alternate ending that is
a variation on the original ending but adds nothing to the
story and dilutes the impact of the film even further. ---
|
| Commentary:
|
Pollack
provides a thoughtful intelligent commentary track. His comments
on the challenges of working with the United Nations to shoot
the film (they had the right to veto elements of the script
and film if they didn’t like them) and his comments on walking
the tightrope of creating political thrillers for an attention
span challenged audience are interesting. His comments focus
more on the process of shooting the film, working with his actors
and some of the changes the trio of screenwriters made to the
script. --- |
| Final
Words: |
Although it’s far from the glory
days of his classic thrillers like “Three Days of the Condor”,
“The Interpreter” has a great concept but had too many cooks
working in the kitchen. The thrills and chills that should
make this thriller hum like a race car are diluted by the
trio of screenwriters. It’s a mildly diverting thriller that
will keep you entertained but can’t possibly measure up to
Pollack’s best work.
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