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Review
Archives
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Today's
Date is:
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JFK-from
the Oliver Stone Collection
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Reviewed
by: |
Joe
Comer |
| Genre: |
Drama
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| Video: |
Widescreen
2.35:1 Enhanced for 16x9 screens |
| Audio: |
Dolby
Digital 5.1 |
| Language: |
English
and French |
| Subtitle: |
English,
French, Spanish and Portuguese |
| Length: |
3
hours and 25 minutes |
| Rating: |
R
|
| Release
Date: |
2-6-01
|
| Studio: |
Warner
Brothers |
| Commentary:
|
Director
Oliver Stone |
| Documentaries:
|
No |
| Featurettes:
|
"Meet
Mr. X: The Personality and Thoughts of Fletcher Prouty" and
"Assassination Update-The New Documents" |
| Filmography/Biography:
|
Filmographies-Yes,
Biographies-No |
|
Interviews: |
"Meet
Mr. X: The Personality and Thoughts of Fletcher Prouty" |
| Trailers/TV
Spots: |
Yes |
| Alternate/Deleted
Scenes: |
Deleted/Extended
Scenes with or without director's commentary |
| Music
Video: |
No |
| Other:
|
DVD-ROM
provides links to various web sites, including that of Oliver
Stone/Collected Reviews of the film/Theatrical Trailer Samplers
of other Oliver Stone films/Virtual Theatre featuring future
online screening with a filmmaker chat set for a later date.
|
| Cast
and Crew: |
Kevin Costner,
Kevin Bacon, Tommy Lee Jones, Laurie Metcalf, Gary Oldman, Michael
Rooker, Jay O. Sanders, Sissy Spacek and many others. |
| Screenplay
by: |
Oliver Stone
and Zachary Sklar |
| Produced
by: |
A. Kittman Ho and Oliver
Stone |
| Directed
By: |
Oliver Stone
|
| Music: |
John Williams |
| The
Review: |
There
is much to be said about this film. For one thing, it is, in
this reviewer's opinion, the best film of the 1990's. Nearly
every frame is loaded with huge amounts of information. And
regardless of what you have heard, with the exception of a few
minor changes, it IS accurate information. As director Oliver
Stone had said in response to the critics of JFK, a filmmaker
must be allowed a certain amount of creative license. After
all, were the best biographical films before and since acclaimed
for their factual truth actually perfect models of accuracy?
Not likely. So why the urge to single this one out? I believe
it was because of the controversial nature of the subject and
all of the negativity the Warren Report has received. It was,
in short, an attempt to discredit all involved (much like the
Warren Commission attempted to do with many of it's witnesses)
including the instigator of the only trial in the assassination
of the 35th president of the United States. For all the mistakes
made during said trial Jim Garrison alone stood up to the people
and organizations that tried to keep the truth about that fateful
day in 1963 from surfacing. He and he alone is the most responsible
for bringing the other theories out in the open. Yes, there
had been many books written that criticized the slipshod way
the Warren Commission "investigated", but it was the trial of
Clay Shaw in the late 60's that brought many of the speculative
theories to the main stream public for the first time. Despite
Garrison's sometimes questionable methods, no one can deny the
man his motive: to bring forth the truth in what might very
well be the crime of the century. Stone is relentless in HIS
quest for the truth and it's this marriage of director and story
that make the film so remarkable. In scene after scene he reinstates
Garrison's vulnerability with the public. But this did not stop
Garrison. Nor over twenty years later in 1991 did even put a
dent in the opinions of Oliver Stone. The director uses his
connection and knowledge of the 60's that was so apparent in
many of his other films-PLATOON, BORN ON THE FOURTH OF JULY
and THE DOORS, particularly-to attempt to tell the absolutely
mesmerizing story of the D.A. of New Orleans' search for the
facts. He holds the viewer with a series of superbly edited
but very quick sequences that really give a DVD player a workout.
Thank goodness for slow motion. The script wisely and fittingly
tells this story through the eyes of Garrison himself. You really
feel the persecution he feels as he becomes more and more obsessed
with his search. When his wife (well played by Sissy Spacek)
finally confronts Garrison with his obsession, your heart is
in your throat. It's obvious that even with the people he had
working for him, the D.A. is basically a man alone. In the final
monologue, based on Garrison's final address to the jury, you
certainly hope he succeeds. Fortunately, Stone balances the
emotions of a family torn apart, with some stunning scenes based
upon the beliefs and findings of authors such as Garrison himself,
Mark Lane, Jim Marrs and David Lifton. For the first time we
have a big budgeted, well exposed film that combines all the
theories together. The director's cut only further proves Garrison
and Stone's opinions. The scene in the washroom could make even
the most secure person paranoid. And the light banter of the
talk show host (played by John Larroquette) while interviewing
the District Attorney is more evidence of how the public and
the press treated the trial. The cast is perfect. Jack Lemmon,
Ed Asner, the late Walter Matthau, Tommy Lee Jones, Kevin Bacon
and Donald Sutherland are all familiar faces here effectively
placed in roles that range from mere guest appearances to full
fledged important supporting roles. The lesser known actors
and actresses also excel, especially Jay O. Sanders, Laurie
Metcalf and Michael Rooker as Garrison's assistants. Gary Oldman
as the doomed Lee Harvey Oswald once again proves his chameleon-like
abilities as an actor and disappears completely in the role.
Hard to believe that this is the same actor who was just as
convincing as the Count in BRAM STOKER'S DRACULA and as Sid
Vicious in SID AND NANCY among others. But it is Kevin Costner's
performance as Jim Garrison that always pulls the film together.
He is always convincing. It's true that he doesn't look a thing
like the real Jim Garrison. Fortunately, Costner wisely opted
to use subtle characteristics of Garrison in creating his interpretation
of the man. The aforementioned final remarks to the jury are
not only believable for what is being said but also for Costner's
convincing and heartfelt delivery. Technically the film couldn't
be better. The recreation of the assassination itself, is absolutely
perfect, right down to the little girl that waved as she ran
along the side of the President's limousine just before the
shots were fired. The cinematography works well with the Oscar
winning editing to hold the audience in the palm of it's hand.
The atmosphere of New Orleans is beautifully felt. John Williams
music score is another example of how the composer captures
the very mood of every film he scores. The beautiful main theme
he composed for JFK easily matches anything from JAWS, STAR
WARS, SUPERMAN: THE MOVIE, E.T.-THE EXTRATERESTRIAL, CLOSE ENCOUNTERS
OF THE THIRD KIND, SCHINDLER'S LIST or the Indiana Jones movies.
|
| Image
and Sound |
The true
2.35 widescreen ratio and 5.1 Dolby Digital sound has been completely
restored for this edition of the film. It has the effect of
drawing the viewer into the story and adds greatly to it's effectiveness.
|
| The
Extras |
While there
are no documentaries as such on this two-disc set there are
two fascinating featurettes. One is "Meet Mr. X: The Personality
and Thoughts of Fletcher Prouty" and "Assasination Update-the
New Documents". These both take you further into the mess that
was the assassination and it's so-called investigation and serve
to further vindicate both Jim Garrison AND Oliver Stone from
further persecution. They are both found on the second disc.
The deleted scenes and extension of already existing scenes
are amazing. Particularly the ghost like image of Oswald on
the witness stand. If this scene had been included in the final
cut, it would have brought Gary Oldman an Oscar nomination,
beyond a doubt. You can view all of these deleted and extended
scenes with or without Stone's commentary. The other main features
are all DVD-ROM related and mainly add up to links. It is interesting
to read some of reviews of the film at one of the sites. It
seems that there were a lot of people that were scared that
this film would finally tell the world of the corruption that
was involved in the assassination. Their remarks only go to
prove that Stone and Garrison were right in bringing it all
out into the open. It's because of them that perhaps one day
some of the participants in this heinous crime that are still
alive will finally feel the heat enough and come out with the
truth. |
| Commentary |
Oliver Stone's
commentary is simply one of the best I have ever heard. What
I like best about it is he proves that he is still very much
concerned about the truth, long after the film stopped making
huge amounts of money. His sincerity and honesty in standing
up to his critics is refreshing. It's through his comments during
the running of the film that he is finally able to do so point
by point. Way to go, Mr. Stone! |
| Final
Words: |
After many
viewings of this film I can honestly say that if I were to choose
to sit and watch it again now, I would still catch something
I hadn't caught before. With the excellent commentary, the fascinating
Deleted/Expanded scenes and featurettes adding so much to this
great film there are plenty of reasons for owning the Oliver
Stone Collection edition of JFK. It's message is clear. And
it's dedication to youth and their search for truth assures
that it should be handed down from generation to generation
so that perhaps one day we will all know the whole story. |
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