|
|
|
Search Movie Review
Archives
|
|
|
| |
| Dvdivas
was founded by John Gabbard in 2000. It's purpose has been and
remains to be to provide you, the entertainment community with
the latest dvds and movie reviews. It will continue to be your
link to the most popular dvd movies. |
|
|
"Layer
Cake"
|
 |
Reviewed
by: |
Kim
Anehall |
| Genre: |
Action |
| Video: |
Anamorphic
Widescreen 2.40:1 |
| Audio: |
Dolby Digital
5.1, Dolby Digital 2.0 Surround |
| Languages |
English,
French |
| Subtitles |
English,
French, Chinese, Korean, Thai |
| Length |
106 min |
| Rating |
R |
| Release Date |
August 23,
2005 |
| Studio |
Sony Pictures
Home Entertainment |
| Commentary:
|
“by director
Matthew Vaughn and writer J.J. Connolly” |
| Documentaries:
|
None |
| Featurettes:
|
“Story Board Comparisons”,
“Screening with Matthew Vaughn and Daniel Craig”, “The Making
of Layer Cake” |
| Filmography/Biography:
|
None |
|
Interviews: |
None |
| Trailers/TV
Spots: |
“3 Trailers” |
| Alternate/Deleted
Scenes: |
“15 Deleted
Scenes”. “2 Alternating Endings” |
| Music
Video: |
None |
| Other:
|
“Poster Explorations”
|
| Cast
and Crew: |
Daniel Craig,
Colm Meaney, George Harris, Kenneth Cranham, Michael Gambon,
Jamie Foreman, Sienna Miller, Dragan Micanovic |
| Written
By: |
J.J. Connolly
|
| Produced
By: |
Adam Bohling,
David Reid, Matthew Vaughn |
| Directed
By: |
Matthew
Vaughn |
| Music:
|
Ilan Eshkeri,
Lisa Gerrard |
| The
Review: |
Perception of life is usually in
the eye of the beholder, and in Layer Cake it is in the eye
of Daniel Craig’s unnamed character who the film refers to
as XXXX in the end credits. Through XXXX’s vision the audience
will learn the hard lesson of commerce in the British underworld
where on can be on the top one-day, and on the bottom the
next. The title itself plays metaphorically with the different
levels of societal classes, and how one strives to reach the
top. Director Matthew Vaughn, who produced Lock, Stock and
Two Smoking Barrels (1998) and Snatch (2000), makes his directorial
debut with a stylish crime story that follows the footsteps
of his friend and director Guy Ritchie. Yet, it feels more
like a British treatment of Goodfellas (1990) that provides
an amusingly sharp portrayal of how drugs can complicate the
British underworld and society. ***
A detailed opening accompanied by
XXXX’s voice-over delivers a historical and personal perspective
on how drugs have changed the socioeconomic tendencies of
the underworld. Vaughn also makes it visually clear through
clever mise-en-scene and astonishing photography how boundaries
between the law and lawless might eventually diffuse itself,
due to the enormous sums of profit collected by the illegal
drug industry. In addition, XXXX’s clarifies the customers
demand for drugs in the eloquently statement, “Give people
what they want: good times today, stupid tomorrow.” In essence,
XXXX captures society’s lack of patience and the customers’
addictions in the minute statement. Thus, XXXX claims that
he is a professional and discreet businessman providing this
need for those who are needy while accumulating sufficient
wealth to retire. ***
Crime does pay, or at least that
is the idea, that audience will receive in the opening of
Layer Cake, as XXXX shows his plans of retirement. However,
retirement will have to wait when Jimmy Price (Kenneth Cranham),
a powerful gangster, requests his help. It is a task out of
the ordinary for XXXX who realizes that he has no choice and
must push up his retirement date. At the same time, a wannabe
gangster named the Duke has acquired an obscene amount of
ecstasy pills from an unknown location, which XXXX tries to
acquire for Jimmy. If this would not be enough, XXXX falls
in love with a stunning blond that any fool would consider
a sign of trouble. This and much more begin to blend into
an intriguing concoction that never will be predictable, or
boring. ***
Layer Cake might have similarities
with other gangster films; however, Vaughn generates a refreshing
story of gangsters in the British society where the connecting
factor between classes is drugs. Much of the success in the
film rests within Daniel Craig’s sophisticated character that
possess several fascinating traits. In addition, his frequent
and small voice-overs that illustrate his thoughts deliver
an additional attention-grabbing aspect to the story. Layer
Cake pretty much focuses on XXXX, and his perspective on life
and his status. There are several excellent actors such as
Colm Meaney, George Harris, Kenneth Cranham, and Michael Gambon
that helps contrast XXXX’s persona, which also augments the
audience’s fascination with the film. All of the cinematic
facets are linked under Vaugn’s terrific debut, as a director
that delivers a phenomenal action thriller that will keep
the audience smiling until the end. *** ---
|
| Image
and Sound: |
In the
aspect ratio, 2.40:1, comes Layer Cake with a decent transfer.
Colors and black levels have been generated appropriately on
the disc, but some minute digital blemishes can be noticed during
the viewing. However, it is not affecting the cinematic experience,
as it is barely noticeable during the viewing. The sound is
very good on this disc, as it is presented in Dolby Digital
5.1. Aurally, the audience cannot complain, as the sound is
crystal clear with realistic sounds that never go over the top.
There is also a Dolby Digital 2.0 Surround, which is in French.
*** |
| The
Extras: |
In the
Special Features the audience can find a number of extras
that will provide additional material in regards to the film
and those who participated in the making of the film. The
extras are presented in following order: ***
Deleted
Scenes / Alternate Endings – The fifteen deleted scenes can
be viewed with or without the commentary of Matthew Vaughn
who informs the viewer why these scenes did not leave the
cutting board. The scenes have no significant additional material
in regards to the film, but they have varied entertainment
value. There are also two alternate endings, which should
not be seen until after the initial viewing, as it would harm
the cinematic experience. ***
Storyboard
Comparisons - Here the viewer can find two different scenes
that have received the treatment of a storyboard comparison.
These scenes should not be scene before the film, as this
too would ruin the cinematic experience. However, it is fascinating
to see how the director works from the storyboard, which is
depicted on the larger area with the film running in a small
frame below. ***
Featurettes
– In this section the audience can find two interesting features:
Q & A Screening with Matthew Vaughn and Daniel Craig and The
Making of Layer Cake. The Q & A feature is approximately 30-minutes
in length where the screening audience gets a number of questions
from Dave Calhoun, the film editor of Timeout Magazine. At
the end of the interview the audience asks a number of questions
to the actor and the filmmaker. The Making of Layer Cake is
a self-promotional feature that presents the film. ***
Poster
Explorations – This is a brief click through where about 25
posters can be viewed by the audience. In a self-reflecting
perspective the posters offer an intriguing notion of how
each poster will provide a different emotional response. ***
Trailers – The disc offers three different trailers on Dave
Chappelle: For What It’s Worth, Snatch, and Kung Fu Hustle.
***
|
| Commentary:
|
Director
Matthew Vaughn and screenwriter J. J. Connolly presents a captivating
commentary with their heavy English accents. They converse about
how they approached different issues that appear during the
filming such as financial concerns to how they saved money.
Both of them offer insightful ideas for future filmmakers and
a better understanding for others regarding the process of making
a film of the caliber of Layer Cake. *** |
| Final
Words: |
Layer Cake
is a gangster drama that brings a good level of British humor
blended with action, suspense, and a little of every thing into
a surprisingly good film. What truly sticks out in this film
are the brilliant performance by the actors, the scripts, and
the framing of each scene. In addition, the film never ceases
to astonish the audience, which ultimately makes this a must
buy DVD. *** |
|
|