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“Leave Her To Heaven”
Reviewed by: Wayne A. Klein
Genre: Drama
Video: 1.33:1 full screen
Audio: Dolby Digital 2.0, 1.0
Languages English, Spanish
Subtitles English, Spanish
Length 110 minutes
Rating NR
Release Date 2/1/05
Studio 20th Century Fox Home Entertainment
Commentary: by Darryl Hickman and Film Critic Richard Schickel
Documentaries: None
Featurettes: Two Vintage newsreels: Film Premiere and Oscar Presentations
Filmography/Biography: None
Interviews: None
Trailers/TV Spots: Theatrical trailer plus trailers for the Studios Classics Series including In Old Chicago, The Prime of Miss Jean Brodie, The Snake pit, The Three Faces of Eve
Alternate/Deleted Scenes: None
Music Video: None
Other: Restoration comparison, Stills gallery
Cast and Crew: Gene Tierney, Cornel Wilde, Jeanne Crain, Vincent Price, Darryl Hickman, Ray Collins
Written By: Jo Swerling based on the novel by Ben Ames Williams
Produced By: William A. Bacher
Directed By: John M. Stahl
Music: Alfred Newman --
The Review:

A fascinating film noir suspense thriller that’s part of Fox’s Academy Awards series of DVD releases (the film won for its beautiful color cinematography by Leon Shamroy), “Leave Her to Heaven” was one of the earliest (and rare) film noirs in color. Writer Richard Harland (Cornel Wilde) meets Ellen Berent (Gene Tierney) on a train (shades of “Strangers on a Train”!) to Maine. He falls in love with her and marries her. Shortly after their marriage a number of tragedies happen to Harland ncluding the death of his brother and the loss of his son. Soon Harland begins to suspect that his wife may be mentally unbalanced and is behind these deaths. ---

Image and Sound: Featuring a wonderful restoration by Fox, “Leave Her to Heaven” looks positively yummy with the deep, rich Technicolor hues so common to films of the period. A comparison between an earlier film transfer demonstrates the amount of work that went into cleaning up the print, enhancing the fading color from the negative and improving the clarity and sharpness of the images. The soundtrack has also been restored with a nice stereo mix of the original sound elements (you can hear the original mono mix by for comparison sake on a second audio track).
The Extras:

We get two brief Movietone newsreels concerning the premiere of the movie with lots of shots of stars from the era and a staged sequence where the Academy Awards are presented to winners for their Fox films by Bob Hope. There’s also the original theatrical trailer and a restoration comparison giving the viewer an ideas as to how much work went into color correcting and improving the image. ---

Commentary: We get an audio commentary by child actor Darryl Hickman who appeared in the film and Film Critic Richard Schnickel from Time Magazine. It’s clear that the two were recorded separately as there isn’t any interaction which is too bad as I think Hickman’s rambling (but interesting) commentary would have benefited from Schnickel’s knowledgeable questions about the era and the film. Hickman comments on everything from growing up as a child actor in Hollywood (including telling us about his friendship with the late Roddy MacDowall, Elizabeth Taylor and Shirley Temple), working on the movie, his first date (arranged by his best friend MacDowall because Hickman was too shy to ask Elizabeth Taylor himself) and orking with the various producers/directors throughout his career. Schnickel’s comments range from a discussion of the actors in the film and their careers (his observations about Cornel Wilde are particularly interesting. His comments about Wilde’s “innocence” as an actor and how that also benefited the unusual movies he directed later including “The Naked Prey” are also quite interesting) and the trials that Academy Award winning actress Gene Tierney (best known for the film “Laura”) faced when she suffered from depression and sought shock treatment in the 50’s are also quite insightful. ---
Final Words: A terrific vintage film noir with beautiful cinematography, strong performances and a great commentary track, “Leave Her to Heaven” continues to work as a thriller because of the great screenplay by Jo Swerling (“Guys & Dolls”, “Lifeboat”) and the sharp direction of John M. Stahl (“Imitation of Life”, “Magnificent Obsession”, “The Keys of the Kingdom”). The strong performances by Tierney and the supporting cast make this vivid film noir successful.

 

 
 
 
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