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The New Guy - Director's Cut
Reviewed by: David Litton
Genre: Comedy
Video: 1.85:1 anamorphic widescreen
Audio: English Dolby Digital 5.1
Languages: English
Subtitles: English, French
Length: 92 min
Rating: Not Rated
Release Date: 01/06/2003
Studio: Columbia TriStar Home Entertainment
Commentary: Feature commentary with director Ed Decter, writer David Kendall, and cast members DJ Qualls and Eliza Dushku
Documentaries: None
Featurettes: None
Filmography/Biography: None
Interviews: None
Trailers/TV Spots: Theatrical trailers
Alternate/Deleted Scenes: None
Music Video: Simple Plan "I'm Not a Kid" music video
Other: None
Cast and Crew: DJ Qualls, Lyle Lovett, Eddie Griffin, Eliza Dushku, Zooey Deschanel, Parry Shen, Jerod Mixon
Written By: David Kendall
Produced By: Todd Garner, Gordon Gray, Mark Ciardi
Directed By: Ed Decter
Music: Ralph Sall
The Review:

As a teen comedy, "The New Guy" is as cliched and routine as any movie can get. Hailing to the guidelines and rules that last year's "Not Another Teen Movie" so gratuitously mocked, the movie doesn't concern itself with trying to be fresh, original, or even hip, for that matter. There is a central focus within the material, and that is its comedic charm, which, surprisingly enough, manages to bust more than a few guts throughout its short but ultimately sweet duration. ***

The storyline is all but unrecognizable: nerdy twig-boy Dizzy Harrison (DJ Qualls) is the resident nerd at his local high school, where he is the brunt of jokes like being tied to a chair in a dress and rubber bosoms, and the banter of the usual jock football players. He belongs to a circle of friends played by Zooey Deschanel, Parry Shen, and Jerod Mixon, who just happens to be the token black and the token fat guy all in one. ***

After an embarrassing incident involving medication given to him for his Tourette's, he lands himself in jail, where he meets Luther (Eddie Griffin), whose 15 years of doing time have toughened him up, so to speak. Luther spots his own youthful insecurities in his newfound comrad, and, with the help of several other inmates, shapes him into a lean (well, leaner), mean, fighting machine masked by a suave, ultra-slick demeanor (feel free to sigh and mutter "No way" at any time). ***

To make a short story even shorter, Dizzy, now Gil Harris, makes a slam-bang entrance at a new school for his senior year, where he impresses cheerleader Danielle (Eliza Dushku), uses her jock boyfriend as his own personal punching bag, and begins tearing down the social system within the student body, all the while boosting morale for the ailing football team and juggling two different sets of friends at once. ***

Anyone who knows their teen movies knows where the material is headed. There is the old theme of one's lies coming back for one final stab, as Dizzy attempts to keep his real identity hidden from his new classmates. And there are the requisite shots of campus life, the situation that pits Dizzy against his friends as a result of his blowing them off for his new persona, and let's not forget the requisite happy ending, where the do-gooders finally give the enemies their just desserts. ***

It's all very routine, but not once did I stop laughing. Sure, I knew everything that was going to happen (the trailer doesn't really leave anything to suggestion), but what surprised me about the movie was its unwillingness to continually succumb to such tactics like gross-out gags or bodily humor; what there is of the two comes in short instances, and could hardly be considered offensive. Instead, the humor is realistic, resonating from the slapstick of Dizzy's shenanigans, the jokes and one-liners that are nothing short of hilarious, and even the spoofs of films like "Patton" and "Braveheart," which are oddly-placed but still tickle the fancy. ***

The thing I like best about movies like "The New Guy" is that they don't forget what they are about. Its message about popularity and respect is tired, but still manages to make its way to our soft spot, perhaps because it we can sympathize with Dizzy enough to believe in it (kudos to DJ Qualls for his enthusiastic ability to act completely stupid). Here is a small, pleasing, well-fashioned teen comedy that actually has a heart, and puts it in the right place, becoming a feel-good popcorn flick that stands as one of the better examples of its genre to come along in years. --

Image and Sound:

The addition of a few extras has not hindered the appearance of "The New Guy," nor does the absence of the fullframe presentation found on the previous DVD seem to make it better, either. Measured at 1.85:1 and anamorphically enhanced, the picture benefits from a good source print, which has some film grain now and then, but no other blemishes. Colors are smooth and nicely saturated for a warm, vibrant look, with accurate fleshtones and solid blacks throughout. Contrast and shadow detail are great, and clarity looks very good, with sharp edges that aren't too hampered by edge halos. Pretty good. ***

The Dolby Digital 5.1 audio mix is your typical comedy track that has lots of highs and a couple of lows, and gets the job done without making too many waves in the process. Dialogue sounds clean and atmospherics are imaged accordingly, while the music is peppy and full of life, filling out the surrounds and giving some life to the .1 LFE, although it could use a little more aggression in places. Overall, this is a perfectly fine audio track. --

The Extras: Now here's something unexpected: after going on to perform below expectations during its run in 2002, "The New Guy" was released on a bare-bones DVD months later. You wouldn't even think to consider this title for a special edition, or even a re-release, but sure enough, Columbia has given the movie another chance in a new director's cut version featuring four minutes of cropped footage. Not that it's really much to get excited over: a few more jokes here and there, and there you have it. The disc closes out with the same features from the previous disc: a music video and a gallery of trailers. Only the most hardcore buffs will consider this a must-have.
Commentary: Even the commentary with director Ed Decter, writer David Kendall, and cast members DJ Qualls and Eliza Dushku isn't much reason to upgrade, as they basically go on and on about nothing of much interest, with Kendall and Decter hogging it all. --
Final Words: If you have the previous version, you needn't reapply

 

 
 
 
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