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With the Cold War brewing and the launch of Sputnik, paranoia captured America in its tight little grip. There were exceptions. A quartet of boys in a West Virginia coal mining town discovered their love of rocketry. Sputnik inspired them to develop their own rockets and launch them out in the wilderness. With the help and inspiration of a sympathetic teacher (Laura Dern), Homer (Jake Gyllenhaal) fights his tough father (Chris Cooper) who wants Homer to get his education and then become a coalminer just like him. Ultimately Homer achieves his dream but not before conflict, an arrest, lack of support and lack of funds try combine to try and undermine those dreams. ***

An intelligent and involving period drama, October Sky overcomes the pitfalls of dramas of this sort; Director Joe Johnston creates an involving, suspenseful story about a town with myopic vision and fears and a boy who dreams far beyond the reaches of the town to the stars. Gyllenhaal (The Day After Tomorrow) gives a stirring and confident performance as Homer. The entire cast particularly Chris Cooper and Laura Dern in major supporting roles add a sense of gritty reality to the film preventing it from degenerating into a “based on a true story” TV movie. Colick’s screenplay doesn’t take the easy way out here; he portrays Homer’s father as an unsympathetic hard man who loves his sons but doesn’t want them giving into pipedreams so he doesn’t support them.

Although this is the same digital master as last time, we go get some new special features that might make this worthwhile to fans of the film. There’s a new documentary Aiming High: The Story of the Rocket Boys featuring interviews with Homer Hickam and his compatriots from West Virginia who inspired this story and Hickam to write his book. The documentary primarily focuses on Hickam and his leap from rocketry whiz to a position working for NASA. The original extras are also included. There’s a Spotlight on Location featurette which, essentially, is a glorified promo for the film that showed on some of the cable channels. There’s also production notes discussing the various people involved in the production from the actors to production crew. The theatrical trailer, which highlights the art of trailers in the way it summarizes the story but also why this film was a difficult sell for audiences, returns on this edition as well.