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| Dvdivas
was founded by John Gabbard in 2000. It's purpose has been and
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the latest dvds and movie reviews. It will continue to be your
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“Orchestra
Wives”
|
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Reviewed
by: |
Kim
Anehall |
| Genre: |
Drama |
| Video: |
Full Screen
1.33:1 |
| Audio: |
Dolby Digital
2.0, Dolby Digital 1.0 |
| Languages |
English |
| Subtitles |
English,
Spanish |
| Length |
97 min |
| Rating |
Not Rated
|
| Release Date |
November
1, 2005 |
| Studio |
20th Century
Fox Home Entertainment |
| Commentary:
|
“by actors
Fayard Nicholas and Ann Rutherford” |
| Documentaries:
|
None |
| Featurettes:
|
None |
| Filmography/Biography:
|
None |
|
Interviews: |
None |
| Trailers/TV
Spots: |
“Theatrical Trailer”
|
| Alternate/Deleted
Scenes: |
None |
| Music
Video: |
None |
| Other:
|
“Previews”,
“Still Gallery” |
| Cast
and Crew: |
George Montgomery, Ann Rutherford,
Glenn Miller, Lynn Bari, Carole Landis, Cesar Romero, Virginia
Gilmore, Mary Beth Hughes, Fayard Nicholas, Harold Nicholas
|
| Written
By: |
James Prindle,
Karl Tunberg, Darrell Ware |
| Produced
By: |
William LeBaron
|
| Directed
By: |
Archie Mayo
|
| Music:
|
Bill Finegan,
Mack Gordon, Alfred Newman |
| The
Review: |
Glenn Miller, a legendary musician,
had the fortune to be a part of a couple of films such as
Sun Valley Serenade (1941) and this film, Orchestra Wives,
from 1942. Sun Valley Serenade is the film most people consider
the best while Orchestra Wives is a light and fun comedy in
the shadow of a traveling band and marriage trouble. In Orchestra
Wives, Glenn Miller’s band performs swinging tunes that had
the 1940s youth dancing and soldiers longing for their next
leave, as the World War II was fought on three different continents.
***
Orchestra Wives opens with the
Glenn Morrison’s Orchestra (Glenn Miller’s Orchestra) recording
while the secret of a new tour leaks out to the band through
the mischievous singer Jaynie Stevens (Lynn Bari). It is not
a venture that many band members desire, but it is necessary,
as it helps promote their next record that will be played
on jukeboxes throughout the nation. In the perspective of
the recent documentary Metallica: Some Kind of Monster (2004),
it is rather amusing to see these guys in the orchestra arguing
about a tour, as their incomes were probably not even close
to that of Metallica’s members. ***
With the tour, comes family tensions
and interpersonal conflict within the band. There is also
the other aspect of the tour, meeting new people every night,
as the plan is to play in 29 cities in 30 nights. The trumpet
player Bill Abbott (George Montgomery) does not waste any
time to converge with the opposite sex whenever an opportunity
arises. However, when Bill meets Connie (Ann Rutherford) her
beauty infatuates him, but the meeting is short as Connie’s
boyfriend appears. Nonetheless, Bill invites Connie to the
following evening when Bill performs in a nearby town. The
meeting does not go as planned, but in the process, they become
husband and wife. ***
Eventually, Connie meets the other
Glenn Morrison’s Orchestra wives including Jaynie, who once
dated Bill for a period of a year. It might not have been
a big deal today, but tension would still emerge between them.
In the 40s, it was a much different picture, as society still
employed the moral codes provided by strong Christian values.
It was also due to these values that Connie and Bill got married
on the spot, as they must have felt obligated to follow socially
innate rules. Despite what was socially acceptable, Jaynie
continues to try to sway Bill over to her while deceiving
Connie. This will unfortunately lead to a sad emotional mess
full with jealousy and insecurities fueled by the gossip of
the malicious orchestra wives. ***
Orchestra Wives presents a rather
shallow narration of the predicament of being on the road
without a solid home. The story touches on the emotional insecurities
and envies that brew under the surface of the women who see
their men performing in front of the dreamy eyes of longing
women. It also provides momentary focus on the notion of home
and a solid spot in life, but does not really address these
issues through the storytelling. As stated, there are weaknesses
within the story, yet this film provides a light cinematic
journey that entertains through comedy and musical performances
of the Glenn Miller Orchestra, which eventually leaves the
viewer with a wonderful cinematic experience. *** ---
|
| Image
and Sound: |
The full screen image is the original
aspect ratio on this rather good DVD transfer, which shows
very little digital issues. There are some specks visible
on the screen, but much of it might be due to the film’s age.
Otherwise, this black and white film has a very good quality.
The audio is available in either stereo, or mono, and the
stereo sound actually sounds very good and not artificial,
as expected for an older film such as this. ***
|
| The
Extras: |
There are only a few extras on this
DVD, which include a still gallery and a theatrical trailer.
There are also four trailers of other Fox Classics including
Desk Set (1957) and A Letter to Three Wives (1949). *** ---
|
| Commentary:
|
The actors
Fayard Nicholas and Ann Rutherford provide a very warm and friendly
commentary on this DVD, which is a change when it comes to older
films. In nostalgia they reminisce the days when they made the
film and the importance of the music at the time. Anecdotes,
side stories from the set, and other amusing stories surface,
as they gladly share their memories with the audience. It is
really a treat to hear how things were at the time in Hollywood
and the historical aspects of the dream factory. It is a rare
opportunity that the audience should not miss. *** --- |
| Final
Words: |
Orchestra Wives provides a decent
cinematic experience that merely touches on a bunch of intriguing
issues. In my humble opinion, the film needed to do more than
simply touch on the issues to elevate in its cinematic value.
Nonetheless, Glenn Miller’s Orchestra’s performance is worth
viewing, as it also has a rather good sound. In the end, the
film leaves with a good visual and auditory treat that amuses
the audience, which is worth a viewing. ***
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