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Review
Archives
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Today's
Date is:
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Ordinary
People
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Reviewed
by: |
Rachel
Hughes |
| Genre: |
Drama |
| Video: |
Anamorphic
Widescreen 1.85:1 |
| Audio: |
Dolby
Surround 2.0 |
| Language: |
English
and French |
| Subtitle: |
English |
| Length: |
2hrs
4min |
| Rating: |
R |
| Release
Date: |
August
28th 2001 |
| Studio: |
Paramount |
| Commentary:
|
None |
| Documentaries:
|
None |
| Featurettes:
|
None |
| Filmography/Biography:
|
None |
|
Interviews: |
None |
| Trailers/TV
Spots: |
Original
Trailer |
| Alternate/Deleted
Scenes: |
None |
| Music
Video: |
None |
| Other:
|
None |
| Cast
and Crew: |
Donald Sutherland,
Mary Tyler Moore, Timothy Hutton and Judd Hirsch |
| Screenplay
by: |
Alvin Sargent
based on novel by Judith Guest |
| Produced
by: |
Ronald Schwary |
| Directed
By: |
Robert Redford |
| Music: |
Marvin Hamlisch |
| The
Review: |
"Ordinary
People" is the story of a well-to-do family (Donald Sutherland
and Mary Tyler Moore) trying to deal with the crisis within
their own family. Their oldest son has died in a boating accident,
and the youngest one (Timothy Hutton), who feels responsible,
has attempted suicide. On the surface it looks like they are
coping fine and moving in the right direction, but underneath
a storm is brewing. When the son begins to visit a psychiatrist,
(Judd Hirsch) the storm rises to the surface and the family
must deal with their hate, rage, and inability to forgive. Having
been only four years old when this movie first debuted has put
me at somewhat of a disadvantage. Over the last twenty years
I have been inundated with countless T.V movie knock-offs featuring
a family struggling to keep it all together through horrible
tragedy. I have seen so many of these I was reluctant to watch
this movie at all. While the film offered nothing I hadn't already
seen, it was nice to get to the source of the family crisis
genre. To inspire so many other movies, there has to be something
wonderful in the original. This film has many good points so
it is hard to know where to begin. First the film is notable
for its firsts. This was Robert Redford's film directorial debut.
His directing is subtle, but powerfully felt. This was agreed
upon by his peers when he was awarded an Oscar for Best Director.
This was also Timothy Hutton's feature film debut. His performance
was stunning. You not only believed his character, but you sympathized
with him. His performance was so incredible you are left wondering
what happened to his career? (Luckily you can now catch him
on A&E's Nero Wolfe Mystery series.) Hutton also received an
Oscar for Best Supporting Actor. This was also one of the first
times Mary Tyler Moore was featured in a serious dramatic role.
Until this point she had always been Mrs. Rob Petrie, or the
girl turning the world on with her smile. This movie showed
she not only had superb comedic timing, but she could play a
convincing, unsympathetic cold woman. Moore was nominated for
Best Actress. The strength of the film rests on the performances
by the cast and director as well as the wonderful adaptation
of Judith Guest's novel by Alvin Sargent. The story slowly unfolds
before the audience. You learn the history of what has happened
with the story slowly and in brief split second flashbacks.
Compared with today's movies this pacing may seem too slow,
but the film draws you in all the same. The ending is a bit
of a drop off; you want to find out what happens. For those
who were raised on the poor imitations of "Ordinary People"
it is a bit difficult to watch. Nothing is too surprising, and
the movie is a bit over sentimentalized. Try to watch it with
an open mind and enjoy the performances by those involved. |
| Image
and Sound |
The image
and sound on this film is pretty much a mixed bag, sadly more
of it is bad then good. First the good. The color transfer is
done exceptionally. The colors come through well. A lot of the
films of the late 70's early 80's have a soft subdued look and
this film is no different. Everything is softly lit and natural.
There are a few flashes of bright colors, specifically the yellow
train, and the red blouses at the birthday party, and the red
Christmas package Beth carries at the mall. These intense colors
are paired with equally intense emotions. This transfer keeps
that in tact. While the colors do well, the picture quality
itself is extremely poor. There are artifacts everywhere throughout
the picture. They are most noticeable during the opening credits.
This is so bad that it detracts from the viewing of the film.
The sound is equally varied. There are a few bright spots where
your speakers come alive. This is most noticeable during the
first swim practice, and the score music playing when they bring
the Christmas tree home. For the most part the sound is centered
through the main speakers. Since the film is in 2.0 Surround
sound you cannot get the full envelopment of sound. Since the
film is mainly dialogue driven though, you do not miss the 5.0/5.1-surround
sound. However there are many scenes where the conversations
seem to cut away. For instance there is a scene where Conrad
is talking to his father. You can hear what the father is saying,
but it is difficult to hear what Conrad is saying. There were
many times when I had to turn on the subtitle just to hear what
was going on. For a movie of this nature there is no excuse
for this kind of poor transfer. |
| The
Extras |
Even more
disappointing than the video and sound transfer is the lack
of extras for this Best Picture Film. The menu is the same picture
as the front of the DVD case. There are no graphics or anything.
The only extra is the original theatrical trailer. This is in
reasonably good shape for being a 20 year-old trailer. It actually
looks better than the opening of the film. However for a film
of this caliber is deserves so much more. It would have been
wonderful to have a commentary by Redford, interviews with the
cast about their experiences making the film and the like. This
movie was the first time directing for Redford, film debut for
Hutton, and acting against type for Moore. To hear their reminisces
of the film would be illuminating. |
| Commentary |
None |
| Final
Words: |
Even for
true fans of this movie it would be difficult to recommend this
DVD package. The transfer is of such poor quality that it makes
it difficult to watch the film. When you factor in the bare
bones packaging you find it difficult to justify the suggested
price of $24.99. If you must own it, try to find a good deal
on the price. This DVD is definitely not worth the price. Fans
will be disappointed with this treatment. Hopefully, Paramount
will release a better version, this movie deserves it. |
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