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| Dvdivas
was founded by John Gabbard in 2000. It's purpose has been and
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the latest dvds and movie reviews. It will continue to be your
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“Panic
in the Streets“
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Reviewed
by: |
Wayne A. Klein |
| Genre: |
Suspense
thriller |
| Video: |
1.33:1 full
screen (black and white) |
| Audio: |
Dolby Digital
2.0, 1.0 |
| Languages |
English,
Spanish |
| Subtitles |
English,
Spanish |
| Length |
96 minutes
|
| Rating |
NR |
| Release Date |
3/15/05 |
| Studio |
20th Century
Fox Home Video |
| Commentary:
|
Film historians
/authors James Ursini and Alain Silver |
| Documentaries:
|
None |
| Featurettes:
|
None |
| Filmography/Biography:
|
None |
|
Interviews: |
None |
| Trailers/TV
Spots: |
Theatrical trailer, Fox
Noir trailers including “Call Northside 777”, “House of Bamboo”,
“Laura”, “The Street with No Name” |
| Alternate/Deleted
Scenes: |
None |
| Music
Video: |
None |
| Other:
|
None Richard
Widmark, Paul Douglas, Barbara Bel Geddes, Jack Palance, Zero
Mostel, Tommy Retig, Tommy Cook |
| Cast
and Crew: |
Richard Widmark,
Paul Douglas, Barbara Bel Geddes, Jack Palance, Zero Mostel,
Tommy Retig, Tommy Cook |
| Written
By: |
Richard Murphy
adapted by Daniel Fuchs from “Quarantine” and “Some Like ‘em
Cold” by Edna and Edward Anhalt |
| Produced
By: |
Sol C. Siegel |
| Directed
By: |
Elia Kazan
|
| Music:
|
Alfred Newman
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| The
Review: |
Dr. Clint Reed (Richard Widmark)
and New Orleans Police Captain Tom Warren (Paul Douglas) must
frantically find a pair of criminals involved with the murder
of a card player who may have been infected with plague by
the victim. Reed and Warren have 48 hours to find the criminals
before they become infectious and spread plague through the
population like a wildfire. Although it doesn’t compare to
the gorefests that pass for suspense thrilers today. Kazan’s
eighth film as a director is filled with long takes influenced
by Welles (although far more naturalistic looking without
the unusual angles that Gregg Toland used on Welles’ masterpiece
“Citizen Kane”) creating as much suspense by letting the action
play out as the quick cutting style of Hitchcock and other
directors working at the time. Featuring the lovely and underrated
Barbara Bel Geddes as Widmark’s wife, “Panic in the Streets”
continues to astound with its suspenseful direction and brutal
violence. A young Jack Palance steals the film with his role
as “Blackie” one of the infected criminals and Zero Mostel
appears as the other criminal a year or two before Kazan ratted
him out to the House of Un-American Acitivies. A believable,
powerful drama that still resonates today because of Kazan’s
on location shooting and powerful down-to-earth performances.
Writer Murphy and Kazan would frequently allow the actors
to improvise some of their scenes changing dialogue around
to bring a sense of spontaneity. Kazan’s film, unlike many
of the time, shows interdepartmental conflicts slowing down
the hunt for the infected men.
|
| Image
and Sound: |
Although
there’s no information on restoration, I have no doubt that
Fox did some work on improving the image quality of this early
Kazan classic film. Featuring rich, deep blacks, nice textures
and sharp images “Panic in the Streets” looks exceptionally
good considering that the film is over 50 years old. Viewers
have the choice of listening to the film in its original mono
configuration or an artificial “stereo” soundtrack. Both sound
good but I’d give the edge to the mono sound as the fake stereo
effect is a bit distracting at times. |
| The
Extras: |
Unfortunately,
we don’t have any featurettes or documentaries on any of the
stars from the film. I seem to call A&E Biographies on both
Jack Palance and Richard Widmark and am a bit puzzled as to
why they weren’t licensed for this project. Perhaps it’s because
this is a lower profile classic film that doesn’t have the
built in audience of, say, “Laura” or “Letter to Three Wives”.
We do get the theatrical trailer for the film as well as four
trailers for four other Fox Noir Classics available on DVD.
|
| Commentary:
|
A great,
involving commentary track authors and film historians James
Ursini and Alain Silver is a highlight of this release. The
authors point out Kazan’s more straight forward style relying
much more on lighting the actors to maintain the mood of the
film. There’s also scenes here that are echoed in later Kazan
films such as “On the Waterfront” and “A Streetcar Named Desire”.
|
| Final
Words: |
A sharp,
vivid looking transfer for this classic noir is a highlight
of “Panic in the Streets”. It’s a pity that there’s no background
on the production of the movie provided in the form of a featurette
or documentary. As it is, though, we get plenty of information
from the two film historians and authors on the commentary tracks
and their efforts aren’t as dry as some commentators. We also
get the original theatrical trailer as well as four original
trailers for other Fox Noir DVDs. |
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