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“Panic in the Streets“
Reviewed by: Wayne A. Klein
Genre: Suspense thriller
Video: 1.33:1 full screen (black and white)
Audio: Dolby Digital 2.0, 1.0
Languages English, Spanish
Subtitles English, Spanish
Length 96 minutes
Rating NR
Release Date 3/15/05
Studio 20th Century Fox Home Video
Commentary: Film historians /authors James Ursini and Alain Silver
Documentaries: None
Featurettes: None
Filmography/Biography: None
Interviews: None
Trailers/TV Spots: Theatrical trailer, Fox Noir trailers including “Call Northside 777”, “House of Bamboo”, “Laura”, “The Street with No Name”
Alternate/Deleted Scenes: None
Music Video: None
Other: None Richard Widmark, Paul Douglas, Barbara Bel Geddes, Jack Palance, Zero Mostel, Tommy Retig, Tommy Cook
Cast and Crew: Richard Widmark, Paul Douglas, Barbara Bel Geddes, Jack Palance, Zero Mostel, Tommy Retig, Tommy Cook
Written By: Richard Murphy adapted by Daniel Fuchs from “Quarantine” and “Some Like ‘em Cold” by Edna and Edward Anhalt
Produced By: Sol C. Siegel
Directed By: Elia Kazan
Music: Alfred Newman
The Review:

Dr. Clint Reed (Richard Widmark) and New Orleans Police Captain Tom Warren (Paul Douglas) must frantically find a pair of criminals involved with the murder of a card player who may have been infected with plague by the victim. Reed and Warren have 48 hours to find the criminals before they become infectious and spread plague through the population like a wildfire. Although it doesn’t compare to the gorefests that pass for suspense thrilers today. Kazan’s eighth film as a director is filled with long takes influenced by Welles (although far more naturalistic looking without the unusual angles that Gregg Toland used on Welles’ masterpiece “Citizen Kane”) creating as much suspense by letting the action play out as the quick cutting style of Hitchcock and other directors working at the time. Featuring the lovely and underrated Barbara Bel Geddes as Widmark’s wife, “Panic in the Streets” continues to astound with its suspenseful direction and brutal violence. A young Jack Palance steals the film with his role as “Blackie” one of the infected criminals and Zero Mostel appears as the other criminal a year or two before Kazan ratted him out to the House of Un-American Acitivies. A believable, powerful drama that still resonates today because of Kazan’s on location shooting and powerful down-to-earth performances. Writer Murphy and Kazan would frequently allow the actors to improvise some of their scenes changing dialogue around to bring a sense of spontaneity. Kazan’s film, unlike many of the time, shows interdepartmental conflicts slowing down the hunt for the infected men.

Image and Sound: Although there’s no information on restoration, I have no doubt that Fox did some work on improving the image quality of this early Kazan classic film. Featuring rich, deep blacks, nice textures and sharp images “Panic in the Streets” looks exceptionally good considering that the film is over 50 years old. Viewers have the choice of listening to the film in its original mono configuration or an artificial “stereo” soundtrack. Both sound good but I’d give the edge to the mono sound as the fake stereo effect is a bit distracting at times.
The Extras:

Unfortunately, we don’t have any featurettes or documentaries on any of the stars from the film. I seem to call A&E Biographies on both Jack Palance and Richard Widmark and am a bit puzzled as to why they weren’t licensed for this project. Perhaps it’s because this is a lower profile classic film that doesn’t have the built in audience of, say, “Laura” or “Letter to Three Wives”. We do get the theatrical trailer for the film as well as four trailers for four other Fox Noir Classics available on DVD.

Commentary: A great, involving commentary track authors and film historians James Ursini and Alain Silver is a highlight of this release. The authors point out Kazan’s more straight forward style relying much more on lighting the actors to maintain the mood of the film. There’s also scenes here that are echoed in later Kazan films such as “On the Waterfront” and “A Streetcar Named Desire”.
Final Words: A sharp, vivid looking transfer for this classic noir is a highlight of “Panic in the Streets”. It’s a pity that there’s no background on the production of the movie provided in the form of a featurette or documentary. As it is, though, we get plenty of information from the two film historians and authors on the commentary tracks and their efforts aren’t as dry as some commentators. We also get the original theatrical trailer as well as four original trailers for other Fox Noir DVDs.

 

 
 
 
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