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“The Perfect Score”
Reviewed by: Wayne A. Klein
Genre: Comedy
Video: 1.85:1 Anamorphic Widescreen
Audio: Dolby Digital Surround 2.0 (mono)
Languages English
Subtitles English
Length 92 minutes
Rating PG-13 for drug references, language, sexual content
Release Date 7/20/04
Studio Paramount
Commentary: Brian Robbins, and Mark Schwahn
Documentaries: None
Featurettes: “Making of” featurette
Filmography/Biography: None
Interviews: None
Trailers/TV Spots: Trailer, previews
Alternate/Deleted Scenes: None
Music Video: None
Other: None
Cast and Crew: Erika Christensen, Chris Evans, Bryan Greenberg, Scarlett Johansson, Darius Miles, Leonardo Nam
Written By: Mark Schwahn and Mark Hyman & Jon Zack
Produced By: Roger Birnbaum, Jonathan Glickman, Brian Robbins, Mike Tollin
Directed By: Brian Robbins
Music: John Murphy
The Review:

The S.A.T.’s must be much more difficult than I remember them. After all, how many kids would rather put all their effort into finding a way to steal the test vs. actually studying for it? Ah, logic is the bane of entertainment’s existence. If not for the admirable and fun performances of Leonardo Nam and Scarlett Johansson (“Lost in Translation”) this MTV production would rank in the bottom third of S.A.T. scores for intelligence and aptitude. The plot is fairly simple—a bunch of teens discover that the colleges of their dreams will elude them unless they score exceedingly well on the S.A.T. Some of them choked on the test while others just scrapped the bottom of the necessary scores. So they team up to figure out a way to break into the building where the exam answers are kept and steal them so they can cheat on the test. So cheating is O.K. but studying (because the test is biased and stacked against those who deserve to do better on them) isn’t. So much for living up to the values of our nation I suppose all's fair in commerce and this film is about doing business, not creating art. It’s an entertaining flick and about as memorable as a hot dog at a ballpark game. The film’s saving grace happens to be a very good cast and fidgety direction that prevents you from realizing how implausible this film really is. ---

Image and Sound: This transfer scores 1600 on the S.A.T. Picture quality remains sharp throughout the movie and there’s little in the way of digital blemishes. The transfer remains true to the original theatrical version with lively colors. The sound also benefits from a top notch transfer with only a slight issue with compression during more active sequences of the film. ---
The Extras:

No extra credit here. We get a brief standard “Making of” featurette that isn’t bad just pedestrian. As far as any other extras this is a pretty thin disc. Then again, the material doesn’t really demand a whole lot in the way of extras as it isn’t a special effects extravaganza nor is it a deep movie with a lot of historical references. We do get the theatrical trailer and, as with all Paramount releases, we get previews.

Commentary: Director Robbins and writer Schwahn vie for our attention on the commentary track. Again, this isn’t a deep movie just fun so most of the information falls into the trivia department: the difficulty in shooting this scene; why we had to cut that scene; changes we made before it was released; why the cast look like their costumes came from a rummage sale. You get the picture. It’s actually a pretty decent commentary track. --- Final Words: “The Perfect Score” won’t make any points for
Final Words: “The Perfect Score” won’t make any points for deep, thoughtful observations but it does prove to be entertaining for its two hours despite some significant shortcomings in the script. The performances particularly by Nam and Johansson highlight this film. It’s another teen exploitation flick and, as such, does have its moments of crude humor, language and sexual situations. There’s also reference to smoking pot made in the movie so another demerit if you’re a parent. I’m sure MTV (the company behind the movie) was trying to be hip but I’m also sure that the film could have been just as entertaining without all the things I mentioned

 

 
 
 
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