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Review
Archives
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Today's
Date is:
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Saturday
Night Fever
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Reviewed
by: |
David
Litton |
| Genre: |
Drama
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| Video: |
1.85:1
widescreen |
| Audio: |
English Dolby
Digital 5.1 and 2.0, French Dolby Digital 2.0 |
| Language: |
English,
French |
| Subtitle: |
English,
Spanish |
| Length: |
118
min |
| Rating: |
R
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| Release
Date: |
10/08/2002
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| Studio: |
Paramount
Pictures |
| Commentary:
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Feature commentary
with director John Badham |
| Documentaries:
|
None |
| Featurettes:
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VH1's "Behind the Music"
|
| Filmography/Biography:
|
None |
|
Interviews: |
None |
| Trailers/TV
Spots: |
Nonev |
| Alternate/Deleted
Scenes: |
3 Deleted
Scenes |
| Music
Video: |
None |
| Other:
|
None |
| Cast
and Crew: |
John Travolta,
Karen Lynn Gorney, Barry Miller, Joseph Cali, Paul Pape, Donna
Pescow, Bruce Ornstein |
| Screenplay
by: |
Written by:
Norman Wexler |
| Produced
by: |
Robert Stigwood |
| Directed
By: |
John Badham
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| Music: |
The Bee Gees
& Assorted |
| The
Review: |
"Saturday Night Fever" is that special
brand of movie that features such a tidal wave of exhilaration
in certain moments that you're almost willing to forgive a
deluge of fatal flaws that befall the material. Almost. The
film practically leaps off the screen with its depictions
of the disco nightlife, featuring a stunning soundtrack and
a likeable lead performance from John Travolta, in the premiere
role of his career. ***
Right from the beginning, director
John Badham and his choreographer, Lester Wilson, set the
70's tone for the film with a montage of footage featuring
their young protagonist, Tony Manero, strutting his stuff
in platform shoes, all cut to the always-hip sounds of the
Bee Gees' "Stayin' Alive." If the song was infectious when
the film was first released, it's only become moreso as the
decades have progressed. ***
The film features a vast array of
sequences that take place in a New York City discotheque,
complete with illuminated floor tiles and rotating mirrorball.
The music gets even better, the photography gracefully captures
the fun and excitement of dancing all night long without resorting
to the frenetic, fast-paced hysteria that clogs many of today's
modern clubs. There is one sequence early on in which the
hall comes alive with the sound of "Night Fever," one of the
film's landmark tracks, and the filmmakers capitalize on the
opportunity to craft the scene in such a way that you can't
help but groove in your seat, or maybe even get up and do
a little dancing of your own. ***
If only the generational traits
of the film were backed by a story that was worthy of its
visual and auditory appeal. The film takes place in New York,
so amidst the trials and tribulations of working-class life,
Tony must confront issues concerning family and social acceptance
everyday. He puts on a front wherever he goes, whether showing
off his astute dancing skills on the floor, or spending hours
in front of a mirror primping his hair to get the look just
right. His parents wish he would do something more with his
life, and through some vignettes in which we see their relationship
with one another, we get the notion that Tony himself would
like to change. He just wants something more out of life,
but what? Even he doesn't know. ***
But does he change? And if he does,
for what reason, other than to escape turgid storytelling
and lousy characterization? The film surrounds our disenchanted
youth with a deluge of best-friend characters and female admirers,
one of whom begins using her "assets" to make him jealous
when he begins making eyes at Stephanie (Karen Lynn Gorney),
whom the movie does not explore as intricately as it should.
She's rushed in as uplifting emotional filler when the film
isn't busy showing us the gratuitous nightlife, the drugs,
the sex, the war of the races that is so "West Side Story"
street gangs... do you understand what I'm trying to say?
The movie spends so much time on the physical aspects of the
era, that it forgets what it's really trying to tell its audience.
***
The movie has its attributes as
a result of Travolta's performance and the incredible period
experience, but ultimately it doesn't deliver as one feels
it should. It uses foul words as if it were being paid by
the letter. It takes no shame in squandering potentially lethal
material on lethargic and conventional plotlines. The film
may have sparked a cultural revolution, but its story leaves
one largely unshaken and wanting.
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| Image
and Sound |
This newly-remastered DVD commemorating
the 25th anniversary of "Saturday Night Fever" gives us the
film in its best home-viewing format to date. The anamorphic
widescreen ratio of 1.85:1 features a splendid transfer replete
with terrific color enhancement and clarity, while also ridding
the print much of the grain and distraction that has permeated
many of the VHS releases in the past. There is still some
flaws apparent, such as edge enhancement and pixelization,
but they don't detract from the overall pleasures the image
has to offer. ***
The sound design is absolutely wondrous,
perhaps the best remastering effort of this year's releases.
This is a far cry from the atrocious remastering of the "Grease"
soundtrack, and much more engrossing. The most remarkable
aspect of the Dolby Digital 5.1 track is the ambiance of the
music, which wraps into the surrounds so exquisitely that
the beat becomes infectious. Deep bass for the songs is somewhat
reserved, but it does make a statement just the same. Dialogue
sounds much cleaner and more audible than VHS, and is well-centered
throughout. The efforts of the producers have paid off, and
this DVD will surely impress those who have been disappointed
by past releases of the film.
|
| The
Extras |
Following the film is the VH1 "Behind
the Music" special on "Saturday Night Fever," which features
cast and crew interviews to boot and a history of the movie
as you've never seen it before. Travolta talks a great deal
about his personal experiences on and off the set, while his
costars discuss working with him and their reactions to his
popularity and ability. Director Badham makes more insertions
about the underlying meaning of the story, and various others,
including Disney's Michael Eisner and critic Roger Ebert,
also comment on the movie, its success, and its impact. ***
Then there is a small collection
of three deleted scenes, which have been spruced up a bit
and will provide some measure of entertainment depending on
how you take the movie. For me, the film itself is a letdown
of sorts, unable to live up to the standards it sets for itself;
the DVD, however, is terrific, and will undoubtedly satisfy
fans and movie lovers who have awaited this one for quite
some time.
|
| Commentary |
The
film is accompanied by a commentary with director John Badham,
which is a basic scene-by-scene breakdown of the movie in which
we learn things like the fact that Travolta underwent seven
months of dancing lessons in order to prepare for his challenging
steps. The discussions of story and character should impress
those who were able to warm to the rather underimagined plot,
but it is Badham's lamenting over the various dance sequences
that win the day. He talks about the fact that even though discos
did not use fog and smoke, he wished to incorporate it anyway;
he also reveals that the music was played during shooting in
order to catch accurate moves, and that the process by which
the rerecording was fit to the moves was quite difficult. |
| Final
Words: |
Okay,
so the movie wasn't everything I had hoped it would be, but
the DVD release is impressive all its own. Even with a surprising
lack of special features, the material that has been included
manages to hold its own. |
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