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"Saturday Night Live: The Complete First Season"
Reviewer:
Wayne Klein
Studio: Universal/Broadway Home Video
Genre: TV-Series
Release:
12/5/06
Special Features: Cast audition tapes, Interview from Tom Snyder's "Tomorrow Show"
Review:

They were always ready for prime time but prime time wasn't ready for them. When the subversive "Saturday Night" (the "Live" was added later) premiered it was an odd mix of sketch comedy and live musical acts interspersed with films by Gary Weiss and Albert Brooks and the mix never quite changed as it became more outrageous jumping into political and cultural satire that hadn't been as direct or succinct before in the history of TV. It recalled the anarchy and subversively bizarre humor of Ernie Kovacs, Monty Python and the Fireside Theater but it used TV in a unique way by performing the show live (frequently without a net). The result was unique in television history so much so that the show gained a huge youth following breaking many seminal comedians and musical acts on American TV. It also created such a huge legacy that the show continues to live in the shadow of its past. There haven't been quite as many break out stars as were established during that first year of the show-John Belushi, Dan Akroyd, Chevy Chase, Gilda Radner and, later, Bill Murray all became film stars eventually flying the coup of their spiritual home. Filmmaker Albert Brooks moved beyond writing comedy to become a filmmaker (and film star) of note-sort of the anti-Woody Allen. ***

The most topical shows still remain funny but some of the sharp humor has been blunted by the passage of time. The most absurd stuff surprisingly still works extremely well. The performances are often all over the place (particularly with the inspired Belushi) but that only adds to the appeal of the show. It's also clear that watching the show in hindsight thirty years on that some of the sketches were funny in concept but not in execution and appealed to audiences primarily because they had smoked pot or done other illegal substances. ---

Image & Sound:

The show looks as well as could be expected considering that it was shot on analog videotape during the 70's. Colors are often smeared and the images frequently look soft. A sharp pan leaves a color trail behind it as the signals have faded with time (it's also due to the technology of the time as well). Audio is good although it could but is hampered by the recording technology of the time. Don't expect 5.1 sound much less stereo and you'll be satisfied.

Special Features:

Let's start with the look of the set. While it isn't a special feature presentation is important to a lot of these sets. The simulated leather exterior and 32 page booklet along with cast photos make this a great looking set to put on your shelf. The discs are housed in digipak holders. It's a handsome presentation for the show. ***

The audition tapes for the various performers are quite interesting. You don't see the break out energy in a lot of these that you saw when they performed on the show. Lorne Michaels must be commended for looking beyond what he saw on tape. The potential was there but could just as easily be overlooked. Guest hosts such as Richard Pryor and Lily Tomlin added their unique comic sensibility to the series. It's a pity that the original audition tapes for people that didn't make the show (and later went on to some level of fame) weren't included. ***

I'm disappointed that Michaels, Ackroyd, Curtain, Chase and Morris wouldn't (or weren't asked) to provide commentaries for these vintage episodes. It would have been fascinating to hear behind-the-scenes stories about the making of an episode (I'm sure the first season probably stands out in their minds much more than later ones much as a first year in College or High School makes a permanent impression). ***

A featurette discussing the successes (the musical variety acts, some of the recurring characters, the funniest guest hosts) and failures (the Muppets appearing on the show early on and why they weren't successful, sketches that were dropped or edited due to content) would have been helpful and welcomed. Still for what we get (shows that are almost unedited and with the musical performances intact) we should be thankful. ***

We also get a vintage interview with the cast from Tom Synder's "Tomorrow Show" that runs about 5 minutes.

Final Words:

Overall the series looks as good as could be expected and the episodes are frequently still quite funny particularly those segments with Emily Latell and the Samurai vignettes. The videotape hasn't aged as well as one could hope-it's not like watching a movie from the time where it could be restored to nearly pristine appearance. Overall the series is quite handsome in presentation, quite funny and has some nice extras. I've heard comments about the bumpers missing after a commercial break and, yes, they are missing but to me that's not that big a deal.

 

 
 
 
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