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Terms of Endearment


Reviewed by: Todd Gray
Genre: Drama
Video: Anamorphic Widescreen
Audio: English (Dolby Digital 5.1) French (Mono 2.0)
Language: English, French
Subtitle: English
Length: 2 hours and 12 minutes
Rating: PG
Release Date: 4-10-2001
Studio: Paramount
Commentary: Director James L. Brooks, co-producer Penny Finkelman Cox, and production designer Polly Platt
Documentaries: None
Featurettes: None
Filmography/Biography: None
Interviews: None
Trailers/TV Spots: Original Theatrical TrailerNone
Alternate/Deleted Scenes: None
Music Video: None
Other: Scene Selction
Cast and Crew: Shirley McLaine, Jack Nicholson, Debra Winger, Jeff Daniels, and Danny Devito
Screenplay by: Written by: James L. Brooks from a book by Larry McMurtry
Produced by: James L. Brooks, Penny Finkelman Cox, and Martin Jurow
Directed By: James L. Brooks
Music: Michael Gore
The Review: This film begins with a young Emma (played later by Debra Winger), and shows us the strong ties that are between Mother and Daughter. Aurora (Shirley McLaine) plays Emma's mother, a woman that has a lot of love to give, but may not really know how to express her love in a way that is fit. The film quickly goes from the childhood of Emma to the marriage of Emma. She is marrying a man by the name of Flip Horton (Jeff Daniels), much to her mother's disapproval. The next turn in events is Emma and Flip moving away from their home town, to another city where they feel that Aurora will not be able to keep such a close eye on them, and in turn judge and criticize everything that they are doing. Emma wants a life of her own with the man she loves, and does not want to be watched so closely anymore. In their new town Emma and Flip start to see their family expand a little larger than what they could have hoped for and in turn they start to have some financial trouble. This only adds to the fact that Flip is having an affair. In turn Emma starts to have an affair with a banker (John Lithgow). Trouble mounts higher when Emma finds out that she is ill, and her life may be in jeopardy. Back at home with Aurora, we see a new neighbor move in to town, a retired astronaut by the name of Garrett Breedlove (Jack Nicholson). Aurora finds that this man will not take no for an answer, and starts to wear down her irritability towards him. The film does seem to take a quick turn from comedy to a drama that is not unlike a soap opera, but it does so smoothly and succeeds due to the fact that you care about these characters, and what happens to them. There may be an illness and other plot points to try and twist your interest into sympathy for these people, but when you do feel sympathy you know that the filmmaker has done a good job and has gotten the audience to care what the outcomes of these ordinary peoples lives are going to be.
Image and Sound The picture quality on this film is pretty good for an older film. Generally DVDs that are done from older films tend to look a little more grainy, but this one made the transition rather nicely. The picture quality is not one of the best on the market, but it does do well with the content. The brighter colors are more vivid, giving it an over all good look. The sound for this film is in Dolby Digital 5.1. This is a great sound set-up for an action film, but for a drama such as this, there is not a whole lot of sound to be made. The spot where the 5.1 really stands out is with the score for the film. It fills the quiet nicely, and does not overpower the sound at all. The dialogue is also very crisp and clear, which is a good thing due to the fact that this film is very heavily dependent on what the characters have to say to one another.
The Extras As with other releases from Paramount, this film is a bare bones version of what the DVD format was created for. Anyone looking to get films crammed full of extras would be well advised to look elsewhere, because the viewer will only get the bare minimum on this release. There is the omnipresent scene selection. There is also the original theatrical trailer from 1983. The only "feature" that will appeal to all the die-hard fans of this film will be that of the commentary track. This is the only feature on the DVD that shows some of the work put into the film.
Commentary James L. Brooks, Penny Finkelman Cox, and production designer Polly Platt provide the commentary track for this film. The three of them seem to remember doing the film as if it were only a short time ago. In reality it was 1983 when this film was first released, yet the stories that they tell are still very fresh in their minds. These three fill the commentary track with stories of making the film, both what is seen on screen, and things that the audience would never see. There are also gaps in the conversation that would signify that they are a little too into watching the film to give all the feedback that is in a normal commentary track. This track still provides interesting information and is worth a listen for those interested in some of the making of the film.
Final Words: This film is now a classic, and an award winner. With good cause as well. The director does a terrific job making the audience care about the characters, which is a rarity in modern film. The film also succeeds on its own merit. It does not rely on special effects or any manipulative devices to trick you into caring. The DVD is very standard, and does not have enough to satisfy the hunger for anyone who craves DVDs chock full of extras. This film is one that will find a way into many peoples collection, just so they will be able to own this classic, regardless of its lack of extras.


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July 10, 2001