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was founded by John Gabbard in 2000. It's purpose has been and
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"The Upside
of Anger"
|
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Reviewed
by: |
Kim Anehall |
| Genre: |
Drama |
| Video: |
Widescreen
Anamorphic 2.35:1 |
| Audio: |
DTS 5.1,
Dolby Digital 5.1, Dolby Digital 2.1 |
| Languages |
English |
| Subtitles |
English,
Spanish |
| Length |
117 min |
| Rating |
R |
| Release Date |
July 26,
2005 |
| Studio |
New Line
Home Entertainment |
| Commentary:
|
“by director
Mike Binder and Joan Allen moderated by Rod Lurie” |
| Documentaries:
|
“Creating
The Upside of Anger” |
| Featurettes:
|
None |
| Filmography/Biography:
|
None |
|
Interviews: |
None |
| Trailers/TV
Spots: |
“Theatrical Trailer”
|
| Alternate/Deleted
Scenes: |
“8 Deleted
Scenes” |
| Music
Video: |
None |
| Other:
|
“More From
New Line” |
| Cast
and Crew: |
Joan Allen,
Kevin Costner, Erika Christensen, Evan Rachel Wood, Keri Russell,
Alicia Witt, Mike Binder |
| Written
By: |
Mike Binder
|
| Produced
By: |
Jack Binder,
Alex Gartner, Sammy Lee |
| Directed
By: |
Mike Binder
|
| Music:
|
Alexandre
Desplat |
| The
Review: |
On occasion, an archipelago offers
a metaphorical illustration for the human race in regards
to relationships, as each island represents a human being.
In this metaphor the islands are dormant, unwilling to move,
and only every 100 millennia these islands might bump into
each other, as continental shifts sluggishly move great distances
over a vast amount of time. Thus, the water between the islands
gives the impression of infinite distances, even though the
physical distance might only be a mere foot. Only an intangible
source could generate such an elusive distance within human
beings. The director Mike Binder explores the notion of intangible
distance within a broken family through his The Upside of
Anger. ***
Mike Binder does not waste any time
in illustrating any complex ideas of how and what could possible
create an endless distance within a family. In the first scene,
the daughter Lavender (Evan Rachel Wood), also known as Popeye,
states, “A case in point in anger’s ability to change us is
my mother.” Through Popeye’s statement, Binder verbally and
visually focuses the attention to the mother, Terry Wolfmeyer
(Joan Allen). Through Terry, an obvious sentiment emerges,
anger in the form of a cold and merciless resentment, which
she continuously tries to control in the haze of vodka. Despite
Terry’s concentrated efforts to bottle up her feelings with
alcohol, her resentment seeps through her tightly shut bottleneck,
as everyone of any relation to her falls victim to her anguishing
well-managed rage at the most awkward moments. ***
After the opening where Terry and
Popeye ride in the back of a limousine together with former
baseball pro Denny Davies (Kevin Costner) to a funeral, the
story jumps back three years. Through this extensive flashback,
the audience learns that Terry’s husband Gray has left her
for a young and beautiful Swedish secretary, which also seems
to be the root for her anger. Her neighbor Denny soon learns
about Gray’s departure, and invites himself into the home
of the Wolfmeyer’s with the help of his manipulative charm.
Together Terry and Denny become drinking buddies, as Denny
also tries to drown the feeling of being a has-been. Nonetheless,
Denny and Terry get closer to one another while Terry’s resentment
and anger flare up in the most inappropriate moments where
she ends up hurting her daughters emotionally. ***
The absence of the father Gray
has shaken the Wolfmeyer family to the core, as he never has
attempted to contact them. The neglect from the father furthers
the emotional pain within the daughters who also must deal
with their resentful mother. It has also hurt Terry, as she
never got the opportunity to get closure to her relationship
with Gray. Terry and her daughters have merely been left in
an unfeeling no-mans land that is occasionally lightened up
by the presence of Denny. Nonetheless, the daughters also
find their own struggles such as getting married, post-high
school educational decisions, and the people that the daughters
date adds to Terry’s anger, which sporadically flares up in
small explosions. ***
The Upside of Anger is a film that
resembles two recent films Imaginary Heroes (2004) and Garden
State (2004) in regards to the cold and detached atmosphere
in the film. There is also some likeness with Little Women
(1994), but regardless of the similarities with other films
Binder succeeds in making a unique story that touches the
audience. The story delivers a dissection of anger in a woman
who ends up hurting those she loves. However, it is not the
tearjerker that many might anticipate, but the film delivers
several thoughtful messages worth pondering, as people try
to reach across the water between the islands. *** ---
|
| Image
and Sound: |
A clean image plays with the color
filters as the seasons pass within the film. Colors increase
the visuals and make the film even more appealing, but unfortunately,
the audience will discover digital artifacts and some edge
enhancement present on this disc. Yet, it will not remove
anything from the cinematic experience in regards to the complete
experience. ***
The sound comes in three different
audio formats: DTS, Dolby Digital 5.1, and Stereo. All three
sound very good, as dialogue drives the film, and there are
very few action sounds that would make the DTS sound track
push the home theater equipment through a powerful test. Nonetheless,
the DTS sound comes across with a more detail when it smoothly
flows out from the speakers. *** ---
|
| The
Extras: |
In the
special features section the extras are listed in following
order: Deleted Scenes, Creating the Upside of Anger, Theatrical
Trailer, and More From New Line. There are a total of eight
deleted scenes on which Mike Binder explains why they were
removed from the final cut. Overall, these scenes do not measure
up with the final film, but it is an educational viewing.
The second feature is also the best feature on this disc,
which is an enlightening half hour documentary on the making
of the film. Here the audience can see clips from the film
intermittently between interviews of the cast and other significant
filmmakers. Some of the things within this short making of
documentary offer such things as a brief listing on Mike Binder’s
accomplishments and the cast’s comments on the script. It
will keep the audience’s interest, as they will learn more
about the film and some of the filmmakers. The final two extras
include a theatrical trailer and four trailers of previously
released films by New Line such as Notebook (2004) and Pleasantville
(1998). *** ---
|
| Commentary:
|
The director,
writer, and actor Mike Binder comment on the film together with
Joan Allen, which is moderated by the film critic turned filmmaker
Rod Lurie. All three met during the making of The Contender
(2000) that Lurie directed while the other two performed significant
parts. They freely talk about the making of the film and the
behind the scenes incidents, which is quite fascinating. The
personal touch in the commentary makes it easy and friendly
for the audience to follow while also discovering much interesting
information. *** --- |
| Final
Words: |
The Upside
of Anger is a very good film and it is one of those films that
people should not miss this year. It does not have many extras,
but this does not matter. I must simply tell all readers, run
down to the closest store where you can either rent it, or buy
it, and do yourself a favor by seeing this terrific film by
Mike Binder before you forget. *** |
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