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“War of the Worlds (2005)-2 Disc Version”
Reviewed by: Wayne Klein
Genre: Science Fiction
Video: 1.85:1 Anamorphic Widescreen
Audio: Dolby Digital 5.1, 5.1 DTS
Languages English
Subtitles English, Spanish, French
Length 117 minutes
Rating PG-13
Release Date 11/22/05
Studio Paramount/Dreamworks
Commentary: None
Documentaries: None
Featurettes: “Production Diaries: Beginning”, “Exiles”, “Destruction”, “War”, “Designing the Enemy: Tripods and Aliens”, “Scoring War of the Worlds”, “We Are Not Alone”
Filmography/Biography: None
Interviews: None
Trailers/TV Spots: None
Alternate/Deleted Scenes: None
Music Video: None
Other: “Revisitng the Invasion: Introduction by Steven Spielberg”, Production Notes, Galleries
Cast and Crew:

Tom Cruise, Dakota Fanning, Justin Chatwin, Miranda Otto, Tim Robbins, Gene Barry, Ann Reynolds

Written By: David Koepp and Josh Friedman based on the novel by H. G. Wells
Produced By: Kathleen Kennedy and Colin Wilson
Directed By: Steven Spielberg
Music: John Williams
The Review:

Most Tom Cruise movies are about Tom Cruise. Luckily Steven Spielberg’s film of H. G. Wells’ (which features plenty of homages to George Pal and Byron Haskin’s 1953 film) avoids this pitfall because of the sheer scope of the project. In fact, it seems that Spielberg is the only director who can effectively harness Cruise’s ego into a role. That’s good news as Cruise plays the average ordinary guy extemely well. The supporting cast including Tim Robbins in a glorified cameo gives a marvelous performances as well enhancing the sense of reality of the project even though well known stars appear throughout the film. ***

The world ends not with a bang but with bolts of lightning. It seems a massive storm is brewing in Chicago and just about everywhere else in the world. These are odd storms that generate lightning and thunder but no rain moving in bizarre pattern and it had to happen on the weekend when divorcee Ray Ferrier (Tom Cruise) has his cute daughter (Dakota Fanning) and his disaffected teenage son (Justin Chatwin). When aliens who have planted their ships here long ago decide its time to take the Earth, Ferrier hits the road trying to find a safe place for his children. Intent on terraforming our planet for their own use, the alies destroy every obstacle the military places in their path. Spielberg’s chilling film pays homage to both Pal’s 1953 classic and takes crutial events from Wells’ novel bringing them up-to-date for the 21st century. Pal used the background of the Cold War to drive his thriller and Spielberg (along with writers Koepp and Friedman) use our post 9/11 insecurity to make theirs fly. Over 100 years on “The War of the Worlds” still manages to unnerve audiences. Although “The War of the Worlds” may be a thrill ride it’s quality thrill ride that has more substance when compared to lesser adaptations of Wells’ work (that would include the wholesale rip-off “Independence Day”). Like “Jaws” this is Spielberg having fun with the genre he grew up watching as a kid. Something to think about—although his important serious films are great, Spielbrg’s best films continue to be those films that mix entertainment with a subtext of important themes at its core. ---

Image and Sound:

A rich, satisfying transfer “The War of the Worlds” looks marvelous in this DVD transfer. The bit rate allows for a quality image with great clarity and nice color reproduction. Blacks are rich and deep. Spielberg uses the 5.1 format brilliantly placing action all around quite literally pulling in his audience and putting them in the middle of the invasion once it occurs.

The Extras:

The single disc edition of “War of the Worlds” features only 1 featurette “Designing the Enemy” (which is relocated to the second disc for the two disc edition). It’s a solid featurette with plenty of pre-production designs and pre-visualization footage incorporated into interviews with production designer Rick Carter, Kathleen Kennedy and others discussing the homage to the 1953 film and the elements that Spielberg and screenwriter David Koepp wanted to retain from Wells’ turn of the century novel. ***

”Revisiting the Original Invasion” a featurette where Spielberg discusses the genesis of wanting to revisit Wells’ novel. He notes that “War of the Worlds” touches a nerve because it’s more than science fiction; it reflects our personal fears and the element of humanity when faced with an overwhelming force. This features behind-the-scenes footage and Spielberg discussing how the science fiction films of the 50’s ( and particularly the original film of “The War of the Worlds”) and how impacted his films. He also notes how 9/11 informs THIS “War of the Worlds” and a different mindset in the 21st century allowing the film to become topical again. Tom Cruise also discusses working with Spielberg and Koepp. Koepp discusses how he wanted to avoid the clichés o the genre and wanting to personalize the invasion touching on how it would impact the average American. Koepp went back to the novel’s point-of-view which was centered around the hero’s experience. ***

”The H. G. Wells Legacy” briefly discusses Wells’ life featuring interviews with Wells’ grandson and great-grandson (director Simon Wells who updated his great-grandfather’s novel “The Time Machine” a couple of years ago). It’s pretty superficial but does discuss Wells’ ordinary origin and how writing was his fall-back position as his career as a school teacher came to a halt due to an injury. Taken with the Wells’ featurette for the 1953 DVD both are very good but it is incomplete by itself. ***

”Previsualization” incorporates location footage, interviews and early CGI footage to give an overview on how the film was visualized. Spielberg didn’t like to do pre-visualization until Lucas inspired him to do so after his latest “Star Wars” trilogy. Spielberg found that the pre-visualization doesn’t always apply because of variables on the set. To prevent that from happening the sets weren’t designed until the pre-visualization was done so that things didn’t have to be radically revamped. ***

“War Chronicles” is a series of video featurettes featuring interviews and behind-the-scenes footage for this bi-coastal production. The featurettes are broken up into the various stages of production from pre-production to “Destruction”, etc. for both the west coast where the town was rebuild for the destruction sequences and the location footage. Spielberg appears minimally during all these featurettes as does Tom Cruise. The featurettes primarily focuses on people like visual effects supervisor Dennis Muren from ILM, production crew, etc. ***

”Scoring of ‘War of the Worlds’” features behind-the-scenes footage of Williams scoring the film and discussing his inspiration for the film. Spielberg wanted to make a film with Cruise where Cruise didn’t play the hero running off to fight the bad guys. “Characters: The Family Unit” features Spielberg the most discussing working with Tom Cruise, rehearsing and discussing the scenes on set with the cast. Cruise is also featured luckily he gives us a break and doesn’t do another song and dance on the benefits of Scientology and his expertise on depression and psychiatric care. Cruise keeps his comments confined to his character and working on the film. Screenwriter David Koepp discusses his rule (which he discussed with Spielberg) about focusing only on what Ray and see and experience to give the audience a handle on the invasion. You’ll also note that we don’t see the destruction of any major landmarks. This was another cliché (that Koepp discusses elsewhere and also in the limited edition Screenplay book available at Bestbuy.com) that Koepp wanted to avoid as it tends to magnify the experience and take away the intimate nature of this invasion. This “War of the Worlds” focuses, much like Wells’ novel, on an ordinary people and how this overwhelming invasion force impacts them on a much more personal, small basis. It’s a wise approach allowing Spielberg to avoid the pitfalls that undermined “Independence Day” and most of the disaster thrillers we see. It also makes this film much more into a suspense thriller or horror movie vs. a disaster movie. ***

There’s no theatrical trailer included. Also, there’s production notes. Yes, production notes. That’s not a bad thing. Reading is great but the production notes do recap the featurettes and that was a featurette that went out for most DVDs a couple of years back which makes me wonder when Spielberg last watched any special features on a DVD. Nevertheless, in a sense it’s refreshing to have that option of scrolling through the production notes and discovering the behind-the-scenes material through reading about it. ---

Commentary: Unfortunately, Spielberg has once again avoided giving a commentary track. If he’s so uncomfortable doing them perhaps he should have his line-producer or visual effects experts do it. More than likely it’s simply that he doesn’t want to dispel the magic of the film.
Final Words:

A fun thriller, “War of the Worlds” won’t win any of the big Academy Awards this year but that doesn’t mean it’s any less a good movie or that the themes examined here are any less valuable. The original novel was about Imperial Britain; Welles’ radio broadcast could be seen as a good old fashioned entertainment with a subtext on the rise of fascism in Europe; the 1953 film used the paranoia of the Cold War to good effect. Likewise Spielberg’s film does take into account the post-9/11 terrorist world we live in his reinterpretation. The good news is that you can sit back and enjoy Spielberg’s film as a straight thriller or look much deeper at the themes that are at the heart of the film. Oh, by the way, I do smell a double-dip somewhere down

 

 
 
 
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